The subtitle “A Dracula Story” only makes sense if you have a liberal interpretation of what “Dracula” means in this context.

Under Margot's directive, the trio sets out for a familiar "found footage" adventure that's heavy on the familiar but light on the adventure.

Taking it as another step in expanding their filmography, the movie becomes more fascinating as insight into the Adams Family's creative advancement.

"Where the Devil Roams" must be a disorienting experience for anyone whose first exposure to the Adams Family comes from Tubi.

There's nothing intriguing about watching Eric track down and slaughter stuntmen instead of exacting a deserving vendetta against distinct villains.

There’s nothing overwhelmingly “wrong” with the movie. There’s nothing overwhelmingly original about it either.

A charming chunk of cheddar that taps into the warm, fuzzy, and fugly feelings that make many of us nostalgic for the crude creature features of our youth.

Amid all the swordplay, tracer fire, and bloodshed, it’s easy to lose sight of how much authentic motivation drives the stakes beyond simple survival.

No matter where a personal opinion lands, you still have to tip your cap to an imaginative vision that stays true to pursuing its own path.

“Until Dawn” manifests a mishmash of hairless wendigos, spontaneous combustion, and a witch watching television, but it’s all cliched clutter.

It seems silly for older eyes to dock points for “Fear Street: Prom Queen” being the flighty fright flick its DNA genetically engineers it to be.

For veteran viewers, if not for the film’s makers, “Rosario” doesn’t include many memorable moments worthy of earning much enthusiasm.