RENFIELD (2023)

Studio:   Universal Pictures
Director: Chris McKay
Writer:   Ryan Ridley, Robert Kirkman
Producer: Chris McKay, Samantha Nisenboim, Bryan Furst, Sean Furst, Robert Kirkman, David Alpert
Stars:    Nicholas Hoult, Awkwafina, Ben Schwartz, Shohreh Aghdashloo, Brandon Scott Jones, Adrian Martinez, Nicolas Cage

Review Score:


Summary:

Finally recognizing their longstanding relationship as toxic, Dracula's familiar Renfield fights to escape his master's shadow while warring with a criminal empire in New Orleans.


Synopsis:     

Review:

"Renfield" puts more than a few cleverly creative flourishes onscreen. Swapping Bela Lugosi and Dwight Frye for Nicolas Cage and Nicholas Hoult, black-and-white recreations of classic scenes that could seamlessly slip into the 1933 original position this funny fright film as a pseudo-sequel to Tod Browning's "Dracula." Reimagining the ultimate vampire for the umpteenth time is a tall task too, but "Renfield" assuredly accepts the challenge by designing a series of gruesome new looks for moviedom's main monster as he recovers in stages from a horrible scorching. Fight scenes also get in on going outside the box with frenetic fisticuffs, one of which pauses for an x-ray cutaway to show bones painfully cracking, Mortal Kombat-style. Now, if this same level of imaginative ingenuity had been applied to the stereotypical storyline and cliched characterizations, maybe "Renfield" wouldn't be such a middle-of-the-road movie.

Needing to recover from that aforementioned scorching, Dracula's longtime lickspittle Renfield brings his master to a hospital hideout in New Orleans. While Dracula gradually builds back his body, Renfield attends twelve-step meetings for people desperate to escape toxic relationships because, a. Renfield is in one himself, and b. It's a great place to get leads on problematic partners he can feed to Dracula guilt-free.

One of those leads inadvertently lands Renfield in the middle of a beef between three bumbling thieves and a powerful criminal empire whose drugs the dimwitted trio stole. That empire belongs to the feared Lobo Family, which is led by matronly Bella Lobo, who uses her overly confident yet often unreliable son Teddy as their operation's enforcer.

Renfield isn't alone in quickly becoming a top target for the Lobos. Wouldn't you know it, it seems like the entire town is in on the take, and of course that includes a completely corrupt police department. Well, almost completely corrupt. Ever since her honorable police captain father was murdered by Teddy, Officer Rebecca Morris has made it her personal mission to take down the Lobo Family herself, never mind how much her efforts rankle the bribed cops who put her on DUI duty, or the criminals who want to kill her.

Inspired by Rebecca's determination to assert herself against adversity, Renfield gobbles up bugs like Pac-Man's power pellets to trigger his supernatural strength. In taking out Teddy Lobo's men together, the two of them realize being under the thumbs of oppressive authority figures helps make them a terrific tandem. There's another team-up about to give them trouble though. Because when Dracula finds out Renfield wants his life back, Drac makes Bella Lobo part of his plan for world domination, and for bringing Renfield back under his control.

Tally up all of the elements we've seen before. We've got a whole precinct of crooked cops with only one solitary standout, haunted by the memory of a parent's unjust murder to boot, wearing a halo. We've got an elegantly dressed kingpin who lives in lavish luxury while her arrogant offspring routinely bites off more ambition than his cowardly teeth can chew. We've got a not-the-least-bit-surprising heel turn from Rebecca's partner, a serendipitous misunderstanding to momentarily muck up Renfield and Rebecca's partnership, and a kidnapped sister whose primary reason for existing is to create conflicts for Rebecca.

We also have Dracula, probably the most overexposed entity in horror history, although "Renfield's" main draw is seeing Nicolas Cage literally chew up scenery as Bram Stoker's iconic creation. Cage fans should be cautious; it's called "Renfield" for good reason, with that reason being Dracula very much plays second, maybe even third or fourth, fiddle in terms of overall screentime. Cage does a lot with a little, just don't expect his presence to dominate proceedings like the premise may mislead one to believe.

This is the space where I usually mention I'm not ga-ga over Cage like a lot of genre fans are, in case that helps calibrate how your predisposition aligns with mine. Awkwafina also doesn't play to my preferences for comedic entertainment, and I find Nicholas Hoult pretty plain too, so "Renfield's" cast isn't exactly exciting to me. However, I'll add that nothing they do in the movie changes my mind either, as I find Awkwafina's pouty personality as Rebecca to be uninteresting and Hoult predictably pedestrian as an understatedly goofy goon who's not much more than a white bread guy anyway.

On the thematic front, "Renfield" exhibits much more originality as an encouraging message about reasserting one's agency to retake power from an abusive partner. Is that prime material for a movie meant to be humorous? Not really. I snickered out loud one time, except I didn't write down the gag. Since then, I've forgotten what the joke was (maybe the welcome mat that allows Dracula inside Renfield's apartment uninvited?), and I only just finished watching the film. Take that for what you will, but unless running bits about ska music put a feather under your armpit, don't expect "Renfield" to bust your gut the way Dracula does to his familiar.

Overflowing with gunplay, boisterous bursts of blood, and stunt-filled sequences, "Renfield" goes heavier on action than it does on laughter. I'm not sure if "John Wick, but with severed limbs instead of automatic weapons" is what audiences want from a flick sold as comedy-horror featuring Nicolas Cage as Dracula, but I will say "Renfield" handles chaotic fight scenes and domestic drama with much more panache than it handles the hammy humor and formulaic plot points.

Review Score: 50