It’s a flashy heap of pure camp from beginning to end, made even more amusing because the movie doesn’t exhibit the self-awareness to realize it.

Watching an Adams Family film can be like watching Doctor Frankenstein furiously flitting about in his lab.

“Dust Bunny” tries its best to be gateway horror, but extended stretches of silence repeatedly followed by slow buildups really tax the tempo.

“Sleepwalker” was developed from a seven-minute short from 2024, which explains why its 89-minute runtime goes on 81 minutes too long.

How many miles anyone gets out of “Chain Reactions” depends on individual investment not only in TCM, obviously, but in the five subjects speaking.

If “Match” had been shot in the 1970s, it would have become a cult classic for its skin-crawling weirdness that’s still snicker-worthy in a wicked way.

It assumes everyone watching must be a dimwit too dense to understand how the most basic storytelling concepts work.

“Keeper” is more of a movie meant to highlight Tatiana Maslany’s talent anyway, and that is where the film sees its greatest success.

Compared to the pointless pap Winnie and Mickey are put through nowadays, crude Scrooge ends up looking as noble as Charles Foster Kane.

I don’t know whether to emphasize “this” or “the,” but this is the humorous holiday horror movie you definitely want to enjoy at Christmastime.

If a Vietnam War movie doesn’t include Creedence Clearwater Revival’s “Fortunate Son” on its soundtrack, is it even a Vietnam War movie?

“Bone Lake” comes across as a genuinely committed attempt to craft a slick little film streaked with some slaughter and a slight touch of self-aware silliness.

“Coyotes” builds a stale-tasting nothingburger with moldy buns of humor, curdled condiments of horror, and meat missing from the middle.

More of a ”side of the road” stop than destination entertainment, “Shelby Oaks” would fit well in a faux documentary marathon, just not as the main draw.