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If you want to see impossible amounts of blood explode crimson colors like the world’s worst version of a gender reveal, well, “Abigail” at least has that.
Whatever “Madame Web” was supposed to be once upon a time could only be better than the hodgepodge of hokum this dippy disaster is.
What if the overdone horror trope of a child’s imaginary friend turning out to be an evil entity was needlessly stretched into a 100-minute feature?
“Destroy All Neighbors” benefits from a precise calibration of a viewer’s mindset beforehand, preferably influenced by that person’s vice of choice.
Blending these subgenres intriguingly transforms associated tropes into a thoughtfully-plotted thriller that gives “We Go On” a unique identity in horror.