PRIMATE (2025)

Studio:   Paramount Pictures
Director: Johannes Roberts
Writer:   Johannes Roberts, Ernest Riera
Producer: Walter Hamada, John Hodges, Bradley Pilz
Stars:    Johnny Sequoyah, Jessica Alexander, Troy Kotsur, Victoria Wyant, Gia Hunter, Benjamin Cheng, Charlie Mann, Tienne Simon

Review Score:


Summary:

A family’s Hawaiian home becomes a house of horrors when a domesticated chimpanzee suddenly goes on a rabid rampage.


Synopsis:     

Review:

Every now and then, a hunger for horror can be satisfied simply. Elaborate ingredients like complex characters and intricate plotlines aren’t always required to make a savory meal out of a midnight movie. Sometimes, one might merely have a taste for the comforting fast-food flavors of straightforward suspense, gnarly kills, and a kooky concept, all of which are generously portioned on “Primate’s” gleefully gory plate of killer animal carnage.

Not every thriller can be entertaining by being unapologetically uncomplicated, outrageously shocking, and concurrently campy, but “Primate” has so much self-aware confidence in its go-for-the-throat style that the film wears those B-movie badges proudly. “Primate” ultimately amounts to a classic slasher flick where a rabid chimpanzee does the masked maniac’s job, though you wouldn’t necessarily know you’re in for raw, retro schlock based on how the movie begins.

There are quite a few people to get to know at the outset. First up is Lucy Pimborough, a typical college girl on her way home to Hawaii after extended time away from her little sister Erin and their widower father Adam, a deaf author. Joining Lucy for a summer of swimming in the Pimborough home’s cliffside pool is her bestie Kate. Lucy is hardly thrilled to learn Kate also invited annoying extrovert Hannah to come with them. An awkward flight for those three friends is made mildly more tolerable by meeting two party people, Drew and Brad, before being greeted by Kate’s brother Nick on the ground.

Now, Lucy has a longtime crush on Nick, which makes the flirting between him and Hannah hit Lucy hard in her heart. Erin is also unhappy about her big sister being gone for so long, so there are family matters to tend to as well. Dad is just happy to have his girls together again, even though he’s about to leave them alone for a big book tour, as it’s been tough for them all since their mom died of cancer.

Throw out any notes regarding these romances and relationships because none of it matters. These are all threads for a cursory curtain that drops away entirely once Ben, the family’s pet chimp who was previously part of their linguistics professor mother’s research, gets rabies and goes on a rampage. Once he’s out of his enclosure, “Primate” breaks out of its cage to become a wild romp of peeled-off faces, pulled-off jaws, and going ape all over everyone trapped in the house with Ben.

“Primate” packs in just about every slasher trope in the book. Extended sequences of impromptu hide-and-seek. An uncanny ability to stay one step ahead of victims by strategically disappearing and reappearing. Thinking the killer is dead only for him to suddenly sit up like The Undertaker. “Primate” gets away with beating all these dead horses and more because of how amusingly enjoyable it is to watch a chimp make murderous moves like terrorizing a woman in a vehicle by fiddling with the remote locks on her car keys. It’s preposterous, yet “Primate” presents these scenes as absurdly fun at the same time.

He’s not credited in a title card, but top banana goes to Miguel Torres Umba, the performer who plays Ben. Giving Andy Serkis a serious run for his monkey money, Umba manages to make Ben simultaneously sympathetic and tensely terrifying. Ben’s makeup design intentionally tells the audience this is a man in a suit, but having that hint of chimpanzee cheesiness makes the vicious violence, which is often accompanied by crunchy noises certain to make hands and teeth clench, retain an escapist air of frightful fantasy that blends realism with ridiculousness.

It’s hard to come up with a valid complaint capable of turning a thumb down. If you willingly watch a horror film premised on a blood-crazed chimp bashing in skulls, then you have to expect that movie to be somewhat silly no matter how savage the slaughter gets. “Primate” understands this assignment better than anyone, delivering a weird excursion into animalized insanity you can practically see smirking every time a bone snaps. Viewers will wear this same wicked grin as long as they equally understand all “Primate” really wants to do is have a gruesomely good time, never mind nonsensical nuttiness.

Review Score: 75