“I Know What You Did Last Summer” might not be the legacy sequel many fans wanted, but it might be the best to be expected.

“House on Eden” is what you get when a horror film is treated as a conduit for content rather than a medium for cinematic storytelling.

“Bambi: The Reckoning” delivers a headache-inducing hangover that’ll have audiences asking, “why in the world did I willingly watch this?”

There’s a 2010s indie horror vibe running through “Descendent,” which I mean in the most complimentary manner possible.

The subtitle “A Dracula Story” only makes sense if you have a liberal interpretation of what “Dracula” means in this context.

Under Margot's directive, the trio sets out for a familiar "found footage" adventure that's heavy on the familiar but light on the adventure.

Taking it as another step in expanding their filmography, the movie becomes more fascinating as insight into the Adams Family's creative advancement.

"Where the Devil Roams" must be a disorienting experience for anyone whose first exposure to the Adams Family comes from Tubi.

There's nothing intriguing about watching Eric track down and slaughter stuntmen instead of exacting a deserving vendetta against distinct villains.

There’s nothing overwhelmingly “wrong” with the movie. There’s nothing overwhelmingly original about it either.

Like how audiences snicker at the ludicrous logic of an atomic monster movie, “Final Destination: Bloodlines” is wild in the best way possible.