On top of outstanding acting and unnerving shocks, “Obsession” has attracted so much attention because of how universally resonant it can be.
DEEP WATER (2026)
Emerging as average fodder for some streaming service’s black hole of common content, it’s generous to score “Deep Water” down the middle at 50/100.
LEE CRONIN'S THE MUMMY (2026)
As a mummy movie, “Lee Cronin’s The Mummy” is decidedly meh. As a demonic possession movie, “Lee Cronin’s The Mummy” is still mostly mediocre.
THEY WILL KILL YOU (2026)
“They Will Kill You” plays less like a fully-fleshed feature and more like a demo reel for staging stunts and coming up with creative camera movements.
THE MORTUARY ASSISTANT (2026)
It’s a low-risk, low-reward course in Horror 101, as taught by a student aide at a community college instead of by a tenured professor at a prestigious university.
CRAWL (2019)
“Crawl” giddily uses our heroes as pincushions to poke, prod, and pull apart like a freckle-faced kid dementedly playing Marquis de Sade with a lightning bug.
On top of outstanding acting and unnerving shocks, “Obsession” has attracted so much attention because of how universally resonant it can be.