Studio: Lionsgate
Director: Mike P. Nelson
Writer: Alan McElroy, Tony Giglio
Producer: Jeremy Bolt, Robert Kulzer
Stars: Kiana Madeira, Jessica Rothe, Will Close, Juan Pablo Shuk, Logan Marshall-Green, Jaime Newball, Jackson Bews
Review Score:
Summary:
Doctors on a humanitarian mission clash with a secretive survey team while a legendary snake hunts them in an Amazon jungle.
Review:
A trailer for “Beware Boiuna” includes a critic quote crowning the film as “the greatest killer snake movie of all time.” This got me thinking, how many killer snake movies are there? Like, is there enough competition for that to even be its own category?
The results of a Google search say the answers to those two questions are essentially “not many” and “not really.” The original “Anaconda” with Jennifer Lopez and Ice Cube still leads the list, but that came out in 1997. The most notable 21st-century title to be released theatrically is probably 2006’s “Snakes on a Plane” starring Samuel L. Jackson. After that pair though, we’re largely looking at a small group that includes “Anaconda’s” three sequels, its “Lake Placid” crossover, its 2025 remake, and then a slew of SyFy, Asylum, and DTV goof-offs like “Boa vs. Python,” “Mega Python vs. Gatoroid,” and whatever “Lockjaw: Rise of the Kulev Serpent” is. Basically, being the best of that bunch means about as much as a FIFA Peace Prize.
It’s a much bigger pool of contestants, but “Beware Boiuna” also qualifies to compete for the title of “most formulaic thriller of all time.” Let’s start by meeting Alli, played by Jessica Rothe. She’s a traditionally attractive, idealistic blonde. In other words, entirely generic as a core character.
Alli, a young doctor on a humanitarian mission, begins her morning on a boat in the Amazon where her short stroll conveniently takes us past all the other main players on the hero side. First up is Callum, a skinny grimacer furiously spraying himself with insect repellent. Oh Callum, you’re not suited for a jungle environment, but your comical complaints sure are charming!
On the next deck sits Raul, the friendly, bearded river guide who knows this region better than anyone, and who never misses a moment to giggle Alli through a brief Spanish language lesson. One level above him is Alli’s boss Dr. Miguel Villanueva. His demeanor and eyeglasses suggest he’s serious and studious. His stubble and sympathy suggest he’s kind and kind of handsome.
Below deck is Lena, who helps Raul operate his boat. What’s her story? Well, the first clue comes as soon as she’s introduced. Here she is clearing water out of the bilge and, wait, what’s this? Right on the floor in front of her is an overturned photograph. How’d that get there? Lena picks it up, flips it over, then stares contemplatively at an image of her with a man revealed to be her missing brother. Oh, so she’s in the jungle searching for him. Good thing that photo happened to be there to drop that bit of background exposition.
That covers the good guys. What about the bad guys?
After conducting a health clinic to treat ailing locals, Alli, Lena, and the others unwind with some beers in a village’s tiny tavern. Enter Brennan and his brother Shawn, who are there to meet three shady colleagues as part of a presumably American but definitely unscrupulous survey team looking to develop the Colombian jungle. Between Shawn shooting lustful eyes at Alli and Brennan getting frosty with her over the morality of their conflicting goals, there’s a lot to not like about these men.
There’s even less to like when Shawn predictably plays into his stereotype by forgoing flirting and rushing right into sexually assaulting Alli. A subsequent struggle that also involves Lena ends with Shawn falling, hitting his head, and immediately dying. Do self-defense stumbles that accidentally cause instantaneous head-injury deaths happen in real life as often as they happen in the movies?
Now we have a clear conflict between two opposing crews. What we don’t have is the titular snake, Boiuna, who hasn’t been seen since a brief pre-title glimpse, and who isn’t seen again until more than 50 minutes into the movie.
If you can even call it being “seen.” In the few instances where the massive serpent does appear, “Beware Boiuna” sets those scenes at night in darkness so thick, it’s almost impossible to tell who is being attacked, much less by what. Giant-snake action is supposed to be the movie’s bread and butter, but it only drops crumbs on the floor and leaves the audience squinting to see where they landed.
When people go to a creature feature, they expect to see, you know, a creature. What they don’t want to see are countless minutes of people running, panting, shouting, and running some more, which is what “Beware Boiuna” puts on the screen instead, at least when it’s not focused on feuds between two human factions.
Overlong, repetitive, and strangely stingy about including its main attraction, “Beware Boiuna” is simply too uninteresting to hold a viewer’s attention for long. The film tries to veer off the beaten path in a few places, like having a key person die unexpectedly, except even that is fumbled so thoroughly that instead of providing a shock, it comes off as an “I don’t understand why they did that” moment.
You know what? “Beware Boiuna” can keep the crown of “best killer snake movie of all time.” If the rest are anything like this, I don’t want to watch them to find out if “Beware Boiuna” earns that title. And after this flop of a film, I doubt anyone will be in a hurry to try turning “killer snake movies” into a true trend, unless they want to sink alongside this one.
Review Score: 40
Giant-snake action is supposed to be the movie’s bread and butter, but it only drops crumbs on the floor and leaves the audience squinting to see where they landed.