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“Return to Silent Hill” makes a messy movie out of confusingly cryptic plotting, excessive digitization, and an underpowered cast wearing bad wigs.
Although it takes forever to get there, invested audiences will still be hungry to chew on “The Housemaid’s” savory secret thanks to appealing performances.
Mimicking common “found footage” mistakes by merely going through the motions is the curse afflicting “Dream Eater.”
“Good Boy” rises above its gimmick label by adding thematic heft to what could otherwise have been a one-and-done stunt.
“Scurry’s” experiment to disguise a bland B-movie as a one-take thriller bursts every flask in the lab, and there’s no buoy to save viewers from drowning in the drabness.