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“The End of Oak Street” pays homage to an era when Hollywood wasn’t afraid to make big movies with cyborg cops, intergalactic soldiers, and colossal creatures.
The movie is something to sip patiently out of a porcelain cup, not 64 ounces of soda to gulp down with popcorn spilling out of an overpriced novelty bucket.
“Backrooms” brings out the buried dread of being unconsciously trapped in an oppressive environment that slowly melts a mind into compliant complacency.
How closely it sticks to the video games has no bearing on how entertaining “Resident Evil” is as a splattery spectacle streaked with gory gags.