READY OR NOT 2: HERE I COME (2026)

Studio:   Searchlight Pictures
Director: Matt Bettinelli-Olpen, Tyler Gillett
Writer:   Guy Busick, R. Christopher Murphy
Producer: Tripp Vinson, James Vanderbilt, William Sherak, Bradley J. Fischer
Stars:    Samara Weaving, Kathryn Newton, Sarah Michelle Gellar, Shawn Hatosy, Nestor Carbonell, Kevin Durand, David Cronenberg, Elijah Wood

Review Score:


Summary:

After surviving her previous ordeal, a newlywed bride gets dragged into another deadly game of Hide and Seek against psychotic families trying to fulfill a Satanic pact.


Synopsis:     

Review:

Surprisingly, “Ready or Not 2: Here I Come” seems to take quite a few cues from “Halloween II” (review here) for how to set itself up as a sequel. That might not be a smart strategy for keeping a young franchise alive in the long term. Even though plenty of “Halloween” fans hold its 1981 follow-up in high regard, the introduction of new lore that fundamentally changed Laurie Strode’s dynamic with Michael Myers became a burden that additional sequels had trouble working with, resulting in retcons, reboots, and multiple continuities whose drops in quality can be partly attributed to having to incorporate flawed fiction. Creatively speaking, “Ready or Not 2: Here I Come” looks like it could be pointing itself toward a similarly constricting corner.

Like “Halloween II,” “Ready or Not 2” starts right where the previous movie ended, with Samara Weaving’s blood-caked bride, Grace, catatonically exiting a fiery mansion where everyone from the wealthy family she recently married into just suffered gruesome deaths. Grace soon passes out, allowing a match cut to move her to a hospital, the same place where Laurie Strode went after escaping her initial encounter with The Shape, and drop her into a hospital gown with a pattern not unlike the same one Strode wore.

Holding her on suspicion of arson and murder, a detective begins questioning Grace until he’s interrupted by an unexpected visitor. Grace was thought to be an orphaned only child, but it turns out she has a younger sister, Faith, whom she hasn’t spoken to in years. Since John Carpenter and Debra Hill threw a Hail Mary to squeeze a sequel out of a premise designed for only one film, “Ready or Not 2” once again emulates its idol by throwing the same desperation pass with a long-lost sibling surprise.

Almost immediately, the detective leaves the two estranged sisters alone to get reacquainted. Get used to characters suddenly traveling from one location to another as a scripting convenience absent of narrative motivation. It happens a whole lot more once another deadly Hide and Seek game gets underway at another sprawling estate where, even with security cameras covering every inch of the property, it’s apparently impossible to track where anyone is at any given time.

Return viewers coming back with a cloudy memory of how the first game went down, and new viewers coming in blind, get blanks filled in by a background dump courtesy of Grace’s detailed recap for Faith. In the meantime, news of the Le Domas family’s demise spreads among five other families of high-society miscreants. A lawyer overseeing these affairs, played by Elijah Wood with a hefty spoonful of chunky relish for his oddball role, later explains that by surviving her Hide and Seek game, Grace “triggered a very seldom-used clause in our organization’s bylaws.” With no deeper explanation than that, the high seat in their secret Satanic order is now vacant. For someone to take power, Grace has to be hunted a second time, with the caveat being Grace can become their supreme leader if she and her sister stay alive until dawn.

This plot tees up a perfect opportunity for slyly satirizing pitiable personalities and social class disparities. Instead of depicting these depraved participants with timely distinctions like callous pharma bro, insensitive tech mogul, or fascism-minded power player, however, “Ready or Not 2” settles for making the new families a blob of basic brats coming from interchangeable lives of privilege. The women dress in Real Housewives fashion. More than one man has a shiny chain hanging on his exposed chest. One of the younger boys spends the whole time glued to his handheld gaming device. It should be easy to cheer on the deaths of fictional billionaires who built evil empires by exploiting poorer people, except these bad guys are a common cult of simple stereotypes, not clever parodies of alter egos that actors can really sink their teeth into.

Only one representative from each family can participate at a time. Because they have so many members, half of them must wait in an observation room while the person in front of them hunts. If someone dies during the game, the next person in a particular bloodline takes that place. This removes a significant bit of suspense by giving viewers a guarantee that the starting lineup will definitely die so benchwarmers get time on the field too. We just don’t know when or how these hunters will meet their grisly ends, except that it will probably be at Grace and Faith’s hands.

And going by what fans of the first “Ready or Not” film crowed about, “Ready or Not 2” eagerly dishes out more of the chaotic carnage, exploding bodies, and Old Faithful blood geysers that have come to define the budding brand after two entries. That should be music to overjoyed ears that enjoy the gleeful gore of spontaneous combustion, swords through the neck, rocket launcher blasts, and goons melting in industrial washing machines. There’s also a masked killer who does the Undertaker’s signature sit-up after being mistaken for a dead man, in case anyone needs one more nod to “Halloween.”

One person’s treasure can be another person’s trash, meaning those who didn’t synch to “Ready or Not’s” routine the first time around won’t find much for them in a sequel that feels rushed in spite of seven years passing since the original. Even with all the gunplay, grime, and goopy action, “Ready or Not 2: Here I Come” hits a lot of lulls used solely for bickering between Grace and Faith as the feuding sisters hit predictable points along their path to an inevitable reconciliation.

With so many of the usual tricks and tropes on display, including the umpteenth use of “Total Eclipse of the Heart” as a thematic needle drop, maybe more eyes will notice how short the legs are on the limited concept of a resilient heroine unleashing whoop-ass on empty upper-class sociopaths. That is the “Ready or Not” brand though, which is why a third stab has its job cut out for it in trying to make a more meaningful mark with what there is to work with.

Review Score: 55