Studio: MPI Home Video
Director: Erik Bloomquist
Writer: Erik Bloomquist, Carson Bloomquist
Producer: Erik Bloomquist, Carson Bloomquist, Adam Weppler
Stars: Naomi Grace, Devin Druid, Andrew Stewart-Jones, Olivia Nikkanen, Emilia McCarthy, Tyler James White, Amy Hargreaves, Jayce Bartok, Catherine Curtin, William Russ
Review Score:
Summary:
In the midst of a contentious local election, a small town unravels as a masked murderer embarks on a killing spree.
Review:
It's almost Founders Day in Fairwood, a sleepy town in the midst of a contentious mayoral race between incumbent Blair Gladwell and challenger Harold Faulkner. Harold's daughter Melissa can't stand dad's politics, so she's spending the evening with her girlfriend Allison Chambers on a quick trip to the movie theater where Allison used to work. There, Allison encounters Melissa's brother Adam as well as Melissa's ex Rob Donahue, the latter of whom now hooks up with Adam's ex Lilly. Lilly works at the theater too, but she's also the daughter of Mayor Gladwell, who has her hands full presiding over upcoming Founders Day festivities with her trusted advisor Oliver Hull and the rest of city council.
After picking up a sentimental padlock, Allison and Melissa proceed to a local bridge. That's where couples declare their love for each other by attaching initialed locks to the railing. With Allison on her way out of town to attend college, now seems like a prime time to prove what Melissa means to her.
The two teens aren't there long when Melissa is unexpectedly assaulted by a red-masked attacker in a judge's robe and powdered wig. Melissa takes a few vicious shots from a gavel before being thrown over the bridge into darkness. Allison immediately flees back into town.
Adam doesn't learn about his sister's disappearance until the next day. That's when Deputy Finn Miller interrupts a high school class taught by respected local Len Jackson to pull Adam out for a confab with Harold and his new wife Nancy. Allison's father Thomas gets called in too, because police commissioner Judith Peterson has questions for his daughter about Melissa's attack. Back in the classroom, punk girl Britt, who likes to pull heartless pranks with her boy toy Tyler, lays into Lilly about the revolving door that's been causing trouble for Lilly's dueling romances.
Including the masked killer, that's sixteen characters introduced so far, and "Founders Day" is only getting started. All of the above exposition gets delivered in the film's first 15 minutes, and there are still 90 more to go. Since I watched it at home, I had the luxury of pausing to write down names for the synopsis I just wrote. How someone who sees this in a theater or without a notepad can keep everyone and their relationships straight, I have no idea. And if you happen to come in a little late because your popcorn wasn't ready on time? Forget about following along.
Similar in setup to Eli Roth's "Thanksgiving" (review here), "Founders Day" makes its whodunit mystery a main focus as mutilated bodies continue cropping up around Fairwood. As far as such slashers go, however, I never cared much about solving the case. By the time the final twist was revealed, I realized I was never engaged enough to give the killer's identity a second thought. There were simply so many suspects, I wasn't motivated to expend the minimal mental energy to keep track of who was already dead, who was still alive, or who was possibly in play at various locations when the movie cut between concurrent scenes.
"Founders Day" also doesn't play totally fair. For instance, there's one point where the police commissioner pulls Allison's father Thomas into privacy for a follow-up question after an interrogation. Instead of hearing what they discuss, we stay with Allison as she's joined in a car by her girlfriend's ex Rob. When Thomas reemerges, we see Allison speed away after Rob says something to her that we also don't get to hear.
These threads don't work as red herrings because we're given no reason to wonder what could possibly be happening offscreen. Someone could speculate that maybe Thomas and the commissioner are in cahoots, Allison and Rob share a secret of some sort, or any one of them could be the killer. Yet why would anyone come to any of these conclusions when no onscreen events offer evidence hinting one way or another? What is an audience supposed to question when it is conspicuous editing acting suspicious, not so much the characters themselves?
Although the narrative never steps out of quicksand onto firm ground, "Founders Day" is one of the better-looking indie slashers you'll see in terms of production value. Various rooms, which are spread out across multiple locations, are decorated to look lived in, not like the plain white-walled homes usually seen on lower-level films. Sets are also lit by people who know proper places to put lights, which is proven by a colorful palette that doesn't have the telltale wash of a cheap digital transfer whose footage was too bright to begin with.
"Founders Day" achieves some of its impressive scope by employing a fair number of extras, too. Pure speculation, but I'd guess at least some of the non-speaking roles were staffed professionally, or else amateurs had ample time in hair and makeup chairs. From political protestors to concerned citizens in a chaotic Town Hall meeting, background actors don't look like the usual collection of friends and family members who happened to be available for a few hours that day.
On the larger topic of acting, "Founders Day" tries peppering proceedings with satire as well as slaughter, but uneven application results in an unbalanced tone. Between the commissioner swirling a lollipop before delivering hammy one-liners to the deputy weirdly aged to look older than he is, a couple of people play their parts like they're in an SNL skit, even when no one else around them behaves the same way. These cuts at comedy simply don't fit when 95% of the kill-filled film isn't played for laughs.
Whether it's the sharp cinematography or the cast members who take their scenes seriously, a lot of talent can be seen aching to break out within "Founders Day." It's just seen inconsistently, with equally inconsistent results that come down to direction that doesn't appear to be as in control as it should be.
The script is on the right track too, although it has even more distance to cover to get all the way where it needs to be. A solid third of the screenplay's pages could be pulled out for retooling, then put back to further polish the film. One more revision wouldn't be enough. But a pair of more experienced eyes could have pointed out in advance why many misdirects don't work, and would have ironed out unnecessary and unrewarding wrinkles that prevent "Founders Day" from being a real killer.
Review Score: 55
“Kraven the Hunter” might as well be renamed “Kraven the Explainer,” as it’s much more of an unnecessarily tedious origin story than an action-intensive adventure.