Studio: TriStar Pictures
Director: Eli Roth
Writer: Jeff Rendell
Producer: Eli Roth, Roger Birnbaum, Jeff Rendell
Stars: Patrick Dempsey, Nell Verlaque, Addison Rae, Jalen Thomas Brooks, Milo Manheim, Tomaso Sanelli, Gabriel Davenport, Jenna Warren, Rick Hoffman, Gina Gershon
Review Score:
Summary:
One year after a deadly megastore riot, a masked killer uses the Thanksgiving holiday to stalk people connected to the tragedy.
Review:
What started as a cheeky Coming Attraction plugged in between Robert Rodriguez's "Planet Terror" and Quentin Tarantino's "Death Proof" way back in 2007's "Grindhouse" finally becomes a full-length movie with Eli Roth's 2023 feature "Thanksgiving." And in finding creative ways to incorporate just about every memorable moment from that fake trailer, "Thanksgiving" fulfills its 16-year-old promise of exploitation era absurdity by serving up a fully packed plate of horror and humor that's likely to land on more than a few lists of favorite fright films fit for the fourth Thursday of November.
After a setup scene introduces a few of the many main players, "Thanksgiving" kicks off festivities with a milieu familiar to anyone who's ever eschewed the convenience of online shopping to brave the human zoo of a Black Friday sale in person. With the promise of a free waffle iron dangling over already-enticing prices, the restless crowd outside a major megastore can only entertain themselves with Boston-accented insults for so long. Soon, the situation turns into a literal door buster as teens taunt crosstown rivals and anxious shoppers break down barriers with froth-mouthed fervor. A pair of people get killed, and there's plenty of blame to pass around in the aftermath.
That's why one year later, when a murderer masked as original Mayflower pilgrim John Carver starts stalking anyone associated with the deadly riot, no one can be quite certain who's wielding his historic ax. Jessica and her four closest high school friends, who sneaked into the store early and angered everyone outside in the process, seem to be the primary targets of terrorization. But the megastore owner and his trophy wife aren't off the hook as victims or as suspects. Neither are Jessica's ex-boyfriend who mysteriously disappeared following the melee or the new beau who opportunistically popped up in his place. The handsome sheriff sure has a hot mess on his hands as the small town of Plymouth continues getting carved up like a basted bird, and anyone could be at either end of the blade.
Whether it's the revelation of Pamela Voorhees exacting revenge in the first "Friday the 13th" (review here) or the never-identified madman who crank calls a sorority house in Bob Clark's original "Black Christmas" (review here), slasher films have a long tradition of often doubling as whodunits. As evidenced by the preceding summary, "Thanksgiving" also has a major mystery component, although individual mileage absolutely varies on how much fuel that puts in the film's tank.
By my conservative count, there must be at least a half-dozen partners, toadies, and various hangers-on who play no more important roles than "potential culprits." Perhaps if the nicely paced 100-minute runtime overstayed its welcome, "Thanksgiving" would have had the real estate to establish these jabronis as genuinely viable candidates for the killer instead of the forgettable nobodies they actually are.
I'm honestly not sure how much the script truly tries to hide the supposed secret. Because the movie plays so conspicuously with the herrings it doesn't dunk in neon red paint, I correctly predicted the killer, and their exact motive, well before the movie's midpoint without even trying. Since it came easily, the killer's identity doesn't seem too challenging to figure out. So if you don't want it spoiled for you, maybe don't think too hard on it. Better yet, don't give it a thought at all.
I also think if anyone's enjoyment of "Thanksgiving" hinges on the iffy whodunit, they'll miss out on the murderous merriment that is really the movie's main course. "Thanksgiving" collects all of the other essential elements for structuring a proper, prototypical slasher: chases, narrow escapes, teenage melodrama, a formidable enough Final Girl, nailbiting predicaments and, perhaps most critically for this brand of horror, gruesome deaths courtesy of a masked murderer with a striking silhouette.
A couple of kills feature spilled entrails, a shopping cart scalping, severed body parts, and someone salted, seasoned and roasted in an industrial oven. Other than that last one, nothing gets too over-the-top outrageous, although the tone includes several other splashes of dark comedy, such as one victim being unable to swipe open her phone due to blood smearing the screen or have it recognize her mangled face, as reminders that "Thanksgiving" isn't meant to be gulped down with strict seriousness. It's more of a fast food "cheat meal" for fear fans who want something flavorful that's not necessarily nutritious.
"Thanksgiving" probably won't hold up to repeated viewings once the killer is already known and the clutter of useless side characters stick out like even sorer thumbs. For a first feeding, however, it's a clean movie built on sharp imagery, a perfectly fine plot, and colorful atmosphere that doesn't get too garish. It's no "Halloween" (review here), nothing except Carpenter's classic is, but "Thanksgiving" still stands at or above "April Fool's Day," "New Year's Evil," and entries of that ilk as an easily entertaining holiday horror film.
Review Score: 75
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