Studio: Raven Banner
Director: Craig David Wallace, Rich Duhaney
Writer: Charles Picco, Craig David Wallace
Producer: Andrew Rosen, Sarah Timmins, Jonas Diamond
Stars: Alex House, Maggie Castle, Bill Turnbull, Melanie Leishman, Jason Mewes, Chris Leavins
Review Score:
Summary:
Todd Smith reunites with his misfit friends and a former foe when the Book of Pure Evil returns to threaten Crowley High.
Review:
“Todd and the Book of Pure Evil: The End of the End” is the 2017 animated feature follow-up to the live-action TV series that ran from 2010-2012, which in turn was adapted from a 2003 short with the same name. Although “Todd and the Book of Pure Evil” was cancelled prematurely after just two of its four planned seasons, it proved popular enough that a crowdfunding campaign raised 164% of its goal to give fans some sort of conclusion in cartoon form.
Having never watched any of the 26 episodes in the series, I’m unfortunately not in a position to judge how well the movie ties up loose ends, or whether its animated style reflects the live-action tone. As a neophyte introduced to the wildly weird world of “Todd and the Book of Pure Evil” through this film, I can conclude that “The End of the End” nevertheless welcomes newcomers by dishing out a goofily good time. I can only assume this means franchise faithful should feel the same way.
Everything anyone needs to know about Todd and the Book of Pure Evil receives a recap in a breathlessly narrated two-minute intro. My spoiler-hidden film synopses usually run far below 900 words. My recap of this film’s recap hits 30% of that at 300 words to cover only 120 seconds of content. That’s how much background blows in your face to make sure you understand the starting point and can identify everyone playing a part.
It’s a lot of exposition, though the character types are so standard that the catch-up curve isn’t terribly steep. High school stoner Todd has a crush on cool classmate Jenny. Chubby best bud Curtis and his bookish girlfriend Hannah are their sidekicks. Bumbling baddie Atticus, jokey janitor Jimmy, dimwitted minion Elliot, and a trio of ‘Metal Dudes’ round out remaining roles. Basically, the titular tome bestows prophesized power on Todd, but leaves a lot of chaotic evil in its wake. Huh. Maybe I didn’t need 300 words after all.
Apparently when we last left everyone, Todd had successfully banished Atticus as well as the book, though he did so at the cost of killing Hannah, which broke the bonds of friendship among their group. Unexpectedly, the Book of Pure Evil has somehow returned to haunt the halls of Crowley High. Just as inexplicably, Hannah has also returned. Naturally, the only way to get to the bottom of what’s going on involves getting the band back together while forging a few new alliances too.
Familiar with the property or not, the other thing necessary to know about “The End of the End” involves its below-the-belt sense of humor. In keeping with the spirit of the series, the film fills irreverence to the brim with gags that include dildo nunchucks, bestiality rape, popped zits causing flesh to melt from faces, and musical numbers making multiple references to masturbation. I wouldn’t say that “Todd and the Book of Pure Evil” is necessarily intelligent about its immaturity. But I will admit that a good-natured genesis for such jokes adds appeal that isn’t always easy to come by.
Chalk it up to the animated frame. Or maybe my mood was better than usual. But I’m someone who has never seen “Dumb or Dumber” or “There’s Something About Mary” because that type of dopey body fluid humor usually bores me. And yet “The End of the End’s” juvenile behavior amused me much more than I would have thought possible on paper.
What’s peculiar about that is I wonder if I would appreciate “Todd and the Book of Pure Evil’s” live-action counterpart, and I’m hesitant to even try. Something about a stoner attempting to inflate his pal’s accidentally slashed sex doll/imaginary girlfriend through a hole in her crotch gains more childish charm when depicted with cartoon characters. The animated veneer takes the edge off the uncouth absurdity while simultaneously adding an edge of flippant fun that comes across as endearingly entertaining instead of objectionably cheap.
There’s a big difference between professional voiceover artists and actors doing a one-time role that average audiences may not pick up on in terms of audio-only performance ability. A quick perusal of IMDb doesn’t turn up any other animation credits for “The End of the End’s” core cast. Yet they are genuinely good, sounding as seasoned as any experienced VO veteran. Of particular note, assuming he is capable of doing different voices, someone ought to hire Chris Leavins (Atticus) for regular sound booth work immediately. If I didn’t know these were the original actors playing their old roles, I would buy a lie that producers cast whoever sounded best for each part.
Blending some of the style of “Archer” with “Scooby-Doo,” “Todd and the Book of Pure Evil: The End of the End” looks, sounds, and plays like any other cartoon I’ve seen on Disney XD while babysitting nieces and nephews, except for the profanity, nudity, and excessive boner jokes. That’s not a backhanded compliment. That’s a straightforward one. The animation production quality, while not exceptional, qualifies for primetime, at least by basic cable standards. Okay, that part may count as a backhanded compliment.
Several bits go on too long and some material misses its mark. That’s not out of the ordinary considering how much content Charles Picco and Craig David Wallace’s script crams onto the screen. “The End of the End” makes up for small setbacks by compromising with large-scale setpieces that couldn’t be accomplished outside of cel-shading or a seven-figure budget.
“Todd and the Book of Pure Evil: The End of the End” can be dumb or occasionally dull. It can also be fiercely funny, even with its brow hanging low. A little bit “South Park” and a lot bit “Buffy the Vampire Slayer,” the animated feature manages to slap together an unexpectedly enjoyable smorgasbord of horror and humor catering to longtime fans and new converts alike.
Review Score: 80
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