Without any interesting arcs, side plots, or even a main plot to go along with the gore, “Ice Cream Man” devolves into a lot of meaningless mayhem.
EVIL DEAD BURN (2026)
Three out of four stars is a solid score for the high mark “Evil Dead Burn” hits on the gruesomeness strength-o-meter hammered with all the movie’s might.
BUFFET INFINITY (2025)
The experience feels a lot like flipping through late-night TV at a time when loud guys in cowboy hats and blinking 1-800 numbers dominated ad breaks.
THE STRANGERS: CHAPTER 3 (2026)
This supposedly preplanned trilogy became a tangled, bloated, inconsistent blob of inconsequential characters, dead ends, and ludicrously lame lore.
ABIGAIL (2024)
If you want to see impossible amounts of blood explode crimson colors like the world’s worst version of a gender reveal, well, “Abigail” at least has that.
THE AUTOPSY OF JANE DOE (2016)
“The Autopsy of Jane Doe” earns entry onto any list of deeply intriguing thrillers with satisfying supernatural suspense to match its maddening mystery.
MANIAC (2012)
Any time the opening notes of “Goodbye Horses” start playing, you just know there is about to be inescapable terror.
The end credits song lands one last thud to reinforces the impression of a film that wants to be badass when it’s really just a loud lump of noise.