ODDITY (2024)

Studio:   IFC Films/ Shudder
Director: Damian McCarthy
Writer:   Damian McCarthy
Producer: Laura Tunstall, Mette-Marie Kongsved, Katie Holly, Evan Horan
Stars:    Gwilym Lee, Carolyn Bracken, Tadhg Murphy, Caroline Menton, Jonathan French, Steve Wall

Review Score:


Summary:

One year after her twin sister's gruesome death, a blind psychic uses supernatural means to uncover the dark truth behind the murder's mystery.


Synopsis:     

Review:

"Oddity" is an atypical supernatural chiller in several ways. One of those ways lies in how it respects its audience more than average movies do, so it doesn't spoon feed viewers with blatant visual cues or onscreen text denoting the passage of time. Because of this, it may take a moment to get used to the film's occasionally nonlinear narrative, as the initial arrangement of events can have a confusing chronology. The brief summary up ahead should set things straight, which might benefit anyone who has yet to see the movie. This also means there are some light spoilers, but only for the first act.

Left home alone at night, Dani answers an unexpected knock at the door. On the other side of the peephole stands a hooded man with a glass eye. Frantically, the strange man warns Dani of a dangerous intruder who supposedly entered her house when she wasn't looking. Dani realizes the man, Olin, is one of her doctor husband's psychiatric patients. Olin insists she open the door so he can help protect her, but Dani isn't so sure she can trust the visibly disturbed man.

Cut to the title card followed by a scene of a second psychiatric patient living in a halfway house. Roused by awful sounds in an adjacent room, this man investigates and finds a gruesomely butchered corpse. With its head exploded into grotesque chunks, the body would be unidentifiable if not for one item pulled from the bloody mess: a glass eye.

Next, we're taken to a curio shop where Dani's husband Ted stops in to see the owner, Darcy, a blind psychic who is also Dani's twin sister. Over a phone call in the first scene, Dani asked her husband about inviting her sister for dinner. One might expect Ted to extend that invitation, except that's no longer the situation at all. It's been almost a full year since Dani died. Ted has come to hand over Olin's glass eye, because Darcy believes her abilities as a medium will allow her to use the eye to see into Olin's mind, and finally find out what really happened on the night he presumably murdered her sister.

Gradually, you'll put together that these three scenes are in order, there are just gaps between when they occurred. We don't witness it the first time we see her, but someone killed Dani after the pre-title prologue. Sometime after that, someone then killed the presumed culprit, Olin, too. "Oddity" eventually fills in more blanks with precisely planted flashbacks, but the rest of the film unfolds on the "One Year Later" timeline, with only early dialogue between Ted and Darcy clarifying where we are and exactly what happened.

This isn't by mistake. The intended effect isn't to confound viewers, either. These jumps are part of a deliberate strategy to mix up your mind, unbalancing equilibrium to tilt your perspective into a position where it's not on a totally level track. If writer/director Damian McCarthy instead chose to tell this story traditionally, it would be easier to see swerves coming up on the road, and the movie might play out more predictably as a result. It's the cleverness in composition that gives "Oddity" its edge as a macabre slice of suspense that keeps you unsettled by keeping the format fractured.

"Oddity" employs a number of horror hallmarks, including the blind psychic, asylum inmates, a remote manor, and cursed items, which in this case include a haunted hotel bell and a wooden mannequin that should join the "Talk to Me" hand and "Mister Babadook" pop-up book among the top props in modern horror iconography. As with the nonlinear frame, it's the manner in which the movie utilizes these elements that makes what's familiar feel fresh. McCarthy inverts and subtly subverts tropes so they stay in service to the script rather than become pedestrian dots it strains to connect. It's akin to how George Lucas always insisted FX should be a tool for storytelling, not the focal point. That's how "Oddity" approaches B-movie conventions: not as sore thumbs sticking out to be noticed, but as common tools to tell a tale of terror.

And the tale "Oddity" tells summons the spirit of an EC Comics morality fable, except without the black comedy or grinning horror host quipping punny one-liners. Often when a genre movie can be described as "moody," it's because artistic atmosphere is all that film has been built on. For "Oddity," a true narrative drives its dark heart, giving dimension to dread that few fright films are ever able to competently create like this movie does.

Review Score: 70