Studio: Screen Gems
Director: Jennifer Kaytin Robinson
Writer: Sam Lansky, Jennifer Kaytin Robinson, Leah McKendrick
Producer: Neal H. Moritz
Stars: Madelyn Cline, Chase Sui Wonders, Jonah Hauer-King, Tyriq Withers, Sarah Pidgeon, Billy Campbell, Sarah Michelle Gellar, Freddie Prinze Jr., Jennifer Love Hewitt
Review Score:
Summary:
A mysterious killer stalks five friends one year after they hid their involvement in a young man’s accidental death.
Review:
Your mission, should you choose to accept a viewing of the same-named “I Know What You Did Last Summer” legacy sequel, is to find an outright objectively likable person somewhere among the cast of characters. Specifically someone who, not even once, isn’t unjustifiably rude, undeservedly angry, dismissive, condescending, or motivated by their own self-serving interests.
By nature of the familiar premise, which again involves casually careless behavior contributing to an accidental death and subsequent coverup, the five friends at the story’s center already come with blame-denying entitlement that puts them behind the sympathy 8-ball to begin with. But it’s the minor details building up to major defects that make them, and also the secondary players all throughout the apparently corrupt town of Southport, more “they kind of had that coming” than “they don’t deserve that” personalities.
Ava comes closest to putting a hint of a halo over her head. She seems to be the movie’s main throughline, appearing solo in the film’s first scene and racking up what feels like the most minutes onscreen. Unfortunately for Chase Sui Wonders, the actor playing her, Madelyn Cline netted the better contract because Cline is billed first as Ava’s BFF Danica despite her playing a slightly less prominent part.
Having moved elsewhere after college, Ava is back in Southport to celebrate Danica’s engagement to their longtime friend Teddy. Partly preoccupied with how she’ll look to her former flame Milo, there’s nothing particularly problematic about the initial introduction depicting Ava puffing on an old joint during her “what dress fits best” montage, which of course includes a tender timeout to wistfully sigh at a photo of her as a child with her deceased mother. It’s not until one year later, when Ava’s next return to town includes spontaneously hooking up with a stranger in an airport bathroom, that the good-girl-next-door vibe suddenly jumps out a window. That’s not so much subverting a stereotype as inverting it.
Before jumping too far ahead, back to the party. While Danica tells Ava about the expensive empath who has been giving her life advice, Teddy and Milo exchange notes about the latter’s “fancy political job” and the former’s “family real estate empire.” If Milo didn’t also have a single earring in one ear, or if neither of them used the word “bro,” maybe it’d be easier to overlook how safe these two are at the top of the privilege pyramid that keeps party guests swimming in champagne while everyone’s estranged friend Stevie collects dirty glasses as one of the drink caterers.
Feeling a little guilty about letting her slip out of their social circle after some bad business went down with her family, Ava, Danica, Teddy, and Milo invite Stevie to join them for a toke during a reckless ride to a dark road where they park haphazardly and Teddy plays Chicken with oncoming traffic. It doesn’t take long for a swerving car to crash through a guardrail, then onto some waterside rocks at the bottom of a steep cliff. It takes even less time for Ava to be the loudest voice for doing something responsible about the unfortunate soul who possibly just fell to a gruesome death. Stevie fears legal repercussions since she can’t afford a lawyer like everyone else can. Teddy calls the police, but later enlists his wealthy father to hide their involvement. Danica declines to drive to the police station, and takes everyone back to her place instead. Viewers naturally know this group isn’t going to get away with what they did, but based on the behavior seen so far, are we supposed to want them to?
Skullduggery is a necessary evil in this setup though, so viewers are asked to let the light villainy slide and regroup in 12 months, when we learn Danica now has a new fiancé, and Ava’s return for a bridal shower coincides with a killing spree that starts with an “I know what you did last summer” note and a hook-handed fisherman gutting Danica’s new beau. While the five friends get roped into the mystery of who wants to murder them, we also discover the chief of police is part of a political conspiracy to bury Southport’s horrible history, the local pastor has some surprising skeletons in his closest, and even Jennifer Love Hewitt and Freddie Prinze Jr.’s returning characters have disgruntled bones to pick with anyone who dares look at them cross-eyed.
Horror has long since hit a saturation point where a refreshed “I Know What You Did Last Summer” ought to cleverly deconstruct or playfully parody late ‘90s/early 2000s slashers just like the original “Scream” did to the decades that came before it. The movie has its moments, and can be considered innocuously entertaining in an “I’ll catch it on TV” way. Still, “I Know What You Did Last Summer” settles for being a formula follower arriving a quarter-century after the subgenre hit its peak instead of being inventively original in any quantifiable way.
Besides some oddly timed jokes that conflict with a predominantly serious tone, “I Know What You Did Last Summer” could choke King Kong with the amount of cliches it contains. For the love of Crom, if I never see another whodunit where the surprise reveal is that there are actually TWO killers, it’ll be too soon. Ditto the recycled shot of someone unmasking the killer, the camera deliberately not showing that person’s identity, then the dying victim gurgling a surprised “you!” with their last breath.
Hopping to the other side of the aisle to defend the film against its faults, although it’s woven from a prefabricated pattern, at least “I Know What You Did Last Summer” understands how to structure this style of slasher. Each time a potential clue hits the floor, the pace keeps right on moving so viewers don’t spend too much time sleuthing or end up too far ahead. And the upside of everyone in Southport acting like an a-hole is that anyone has the correct shade of red to be a herring.
Honestly, it's hard to imagine a better way for the film to stuff in the four faces returning from the first two films in a manner more believable than how “I Know What You Did Last Summer” chooses to somewhat sloppily shove in fan service (I’m looking at you, jailhouse dream sequence). Some of the ways this movie adds to the lore are going to cause chaos with any future revisits of the first and second movies. Considering real-world restrictions as well as creative ones, however, “I Know What You Did Last Summer” might not be the legacy sequel many fans wanted, but it might be the best to be expected from a franchise that was always middling in the first place.
NOTE: There is a mid-credits scene.
Review Score: 50
“I Know What You Did Last Summer” might not be the legacy sequel many fans wanted, but it might be the best to be expected.