Studio: Netflix
Director: Hannah Macpherson
Writer: Michael Kennedy, Hannah Macpherson
Producer: Matt Kaplan, Christopher Landon
Stars: Madison Bailey, Antonia Gentry, Michael Shanks, Griffin Gluck, Rachael Crawford, Jordan Pettle, Megan Best, Samuel Braun, Sydney Sabiston, Kataem O'Connor
Review Score:
Summary:
Inadvertently sent back in time, a teenage girl investigates the mystery behind the masked killer who will murder her sister.
Review:
David Cronenberg and body horror. Kevin Williamson and postmodern slashers. With credits including "Happy Death Day" (review here), "It's a Wonderful Knife" (review here), and now "Time Cut" under their belts, cowriter Michael Kennedy and producer Christopher Landon appear to be making their names synonymous with time-travel whodunits, whether they ever intended to or not.
Welcome to 2003, a time when "Buffy the Vampire Slayer" was on TV, Norah Jones was all over the radio, and Lucy Field's sister Summer was still alive, although not for long. Despite three of her friends dying over the past two days at the hands of a killer who hasn't been caught, Summer decides to commiserate with classmates at a beer-filled barnyard bash. Summer barely has time for brief encounters with nerdy nebbish Quinn and her ex-boyfriend Ethan when unfun cops arrive to break up the party. Left alone, Summer has one more encounter, this time with the masked murderer who makes her his fourth and final victim.
Flash forward to 2024. One way Summer's parents coped with their daughter's death was to give birth to Lucy, who essentially picks up where Summer left off as a high school senior, but 21 years later. Lucy feels like her loner life has been defined by Summer's death, so she sees herself as a misfit whose chronically unhappy parents can't even share her enthusiasm over a NASA scholarship.
In keeping with their somber spirits, Lucy's parents bring her to the farm where their previous daughter died to honor the anniversary of Summer's death. Inside a barn, Lucy finds an odd machine. Curious, she presses a button. Mechanical arms raise, lasers activate, and Lucy disappears in a blinding light.
Welcome back to 2003. Quickly realizing she inexplicably traveled back in time to the day when the killing spree started, Lucy takes her next trip to her high school, where she silently gasps at novelties like low-rise jeans and flip-phones the way Marty McFly marveled at pompadour hairstyles and diner waitresses on roller skates.
For viewers above a certain age, it's either amusing or depressing to see the film treat 2003 as nostalgia, with closeups on portable CD players and MP3 devices seemingly joking, "Remember how unsightly our bulky technology was? What a wild time to have been alive!" Don't worry if that visual gag makes you feel old. "Time Cut's" era-related jokes aren't always about quaintness. A couple of smirks can come from laugh-worthy lines about a problematic president, the terrifying sound of a dial-up modem, and how long Olive Garden has been serving unlimited breadsticks.
Not only does Lucy need to find her way back to 2024, she needs to save her sister Summer. Or does she? Lucy realizes if Summer survives, she'll never be born, presenting such a paradoxical conundrum, Lucy can't even summon the strength to tell her sister who she really is, much less reveal how savagely Summer is soon to be slaughtered. Setting things straight can wait a while though. First, let's see the sisters bond in a "why do you dress so weirdly?" makeover montage!
It needs to be noted "Time Cut" isn't just centered around high school students. The movie is tailored for teenagers. Anyone outside of the target demographic's sweet spot may be too busy counting copious Michelle Branch, Vanessa Carlton, and Wheatus needle drops to ever get into the traditional slasher or sweetly sentimental sides of the story.
Curious staging might also rock a rickety boat of immersion in the film's fantasy. Like when Lucy finally tells Summer she's from the future, their subsequent interaction barely lasts more than a minute before Lucy abruptly leaves the room. I'm sorry, you just dropped an incredible bombshell, maybe you could stick around longer than 60 seconds and answer a couple of questions, yeah?
The positive impact of "Time Cut" cutting narrative corners, and possibly entire subplots, is the movie moves swiftly and consistently in the interest of maintaining a runtime under 90 minutes. There aren't many suspects for the murders, and there aren't many possible motives known to the viewer either, so guessing the killer's identity isn't much of a game. Especially when you look back at earlier events after certain reveals, the fiction doesn't fully hold up. It never does with time-travel treks or murder mysteries. You just have to accept certain leaps in logic and realize this isn't "Timecrimes" (review here) or "Knives Out." This is a fun-focused, breezy thriller for those who don't need their minds blown to be entertained.
Let's put it this way. If I had to sum up "Time Cut" in one word, I'd compliment the movie by calling it "cute." That's not a particularly attractive term for hardcore horror fans to hear, but everyone else who has no problem with a fright flick that feels like "Lizzie McGuire" decided to get dark with a PG-13 Halloween special should do just fine.
Review Score: 65
Everyone else who has no problem with a fright flick that feels like “Lizzie McGuire” decided to get dark with a PG-13 Halloween special should do just fine.