Studio: That's a Bad Idea
Director: Curry Barker
Writer: Curry Barker
Producer: Cooper Tomlinson, Curry Barker
Stars: Curry Barker, Cooper Tomlinson, Adlih Torres, Sterling L. Pope, Jonnathan Cripple, John Simmonds, Gloria Karel, Andy Dubitsky
Review Score:
Summary:
A gruesome secret gets exposed when two online influencers attempt to prank each other only for the situation to dramatically spiral out of control.
Review:
Word of mouth generally doesn't do much for me. In a world increasingly interconnected through digital channels, it takes modest effort to separate genuine groundswells of grassroots support from manipulative marketing engineered to impersonate waves of overwhelming praise. Buzz is no longer organically built to turn people on to something they ordinarily wouldn't be aware of. It's often fabricated to fool people's perceptions so they'll jump on a bullsh*t bandwagon that gaslights them into believing that thing is far better than it really is.
Being a natural skeptic to boot, I immediately rolled my eyes when word of "Milk & Serial" spread past the threshold where it couldn't be completely ignored. Strike one? The 62-minute film was available for free on YouTube. You get what you pay for, and when the price is $0 on a platform available to anyone, expectations can comfortably go in the gutter. Strike two? The movie starred Curry Barker and Cooper Tomlinson, two online personalities I'd never heard of. Not knowing internet influencers isn't unusual for someone born in the 20th century, but I've been through enough forgettable fright flicks featuring social media "celebrities" to know those phony folks tend to be insufferable, and the same goes for their emoji-abusing fans who obnoxiously drool over everything they do like they're legitimate Hollywood stars. Strike three? "Milk & Serial" was purportedly produced for just $800. I don't know why any indie would enthusiastically wear its thin budget like a badge of honor. I also questioned the amount. Not that it should be higher. Rather, I wondered what a "found footage" film made with friends, limited to small locations, and not containing intensive action would even need to spend that much money on.
I was ready to write off "Milk & Serial" sight unseen until a Variety headline joined the chorus of cheers championing the project. I didn't even read the article, but I'd seen the title "Milk & Serial" repeated enough that I cracked my knuckles and begrudgingly decided to finally check out the film for myself.
I'm too level-headed to ever hock up hyperbole like "OMG! Better than anything the big studios put out!" or "Easily among the best B-movies this year and possibly one of the best 'found footage' films of all time!" Back down on Earth, I'll instead say this about "Milk & Serial." Speaking as someone who regularly watches DIY horror, and who has seen more "found footage" films than I can remember, "Milk & Serial" defies the odds that are usually against both of those formats. The first-person frame fits the context. The performances are believable. And the story's swerves remain relatively grounded so the film flies by as engaging entertainment even though its material is shockingly grim.
Not a whole lot needs to be said to summarize the basic plot, which is good since revealing too much might spoil small surprises. Best friends Milk and Seven are roommates as well as creative partners on a YouTube Channel famous for pulling pranks. For Milk's birthday, Seven enlists other pals, along with a shady arms dealer met in a Ross parking lot, for an elaborate prank where it appears as though someone shoots one of their friends during Milk's party. The gag more or less goes according to plan, but its ending is only the beginning. Even though it's all fun and smiles once Milk finds out the truth, odd events keep happening, leading more than one of them to wonder if there's another prank being played, or possibly something more sinister going on.
Almost immediately, Milk (Curry Barker) and Seven (Cooper Tomlinson) come across as personable people. Well, maybe not Milk so much considering where his character goes. Yet after being wholly prepared for a pair of self-important punks cut from the clout-chasing cloth of internet infamy, it is a welcome change of pace to see two affable guys you can willingly watch without wanting to poke out your eyeballs.
Barker and Tomlinson can genuinely act too, as exhibited by a wide range of scenes that call on them, and their supporting cast, to convincingly cry, scream, become despondent, behave disturbingly, act suicidal, and get physically aggressive. Quality acting seems like a "no duh" inclusion when talking about a movie's value. But it can be taken for granted since poor performances are par for the course in homemade horror where family members and rank amateurs fill out the roster. Authentic acting ability already puts "Milk & Serial" one giant leap ahead of its microbudget peers.
It may not be consciously intentional, but "Milk & Serial" also contains a meta-message about how easy, and frightening, it is for something to spin wildly out of control simply for the sake of likes and subscriptions. That's probably part of why "Milk & Serial" struck such a chord in 2024. Someone may come across the movie in ten years time, maybe even within one year, and wonder what the hubbub was about since the film is so specifically tied to this time in content creation. It won't do his film any future favors, though that's another feather in writer/director/star Curry Barker's creative cap that he can tap into a cultural zeitgeist to make his movie more meaningful.
At a time when so many indie horror hucksters are still shoving "Amityville" into their titles, or missing the point of camp by intentionally being ridiculous, it's inspiring to see Barker putting in real work and daring to get dark with an original effort. The wheel doesn't get reinvented. It just spins smoothly thanks to keeping ambitions achievable, and not getting overly fancy in delivering a captivating creeper. "Flavor of the month" might as well be synonymous with "flash in the pan," but Barker and Tomlinson showcase surprising talents that suggest they've barely begun to break into the genre space.
Review Score: 75
At least the movie only runs 70 minutes, though I suppose that extra 10 technically disqualifies it from being a literal amateur hour.