Studio: Lionsgate
Director: Laura Murphy
Writer: Ivan Diaz, Dan Scheinkman, Meghan Brown
Producer: Jason Moring, Michael Philip, Richard Alan Reid
Stars: Lucy Hale, Virginia Gardner, Brooke Nevin, Samer Salem, Jedidiah Goodacre, Brendan Morgan
Review Score:
Summary:
Amid a murder spree targeting online daters, a single woman suspects one of the three men she is dating could be the killer.
Review:
Dualities dominate “F Marry Kill,” though they cause confusing creative conflicts more often than they work in tandem to complement one another. To start with, the story centers on a 30-year-old looking for a mature romantic relationship, yet the movie seems targeted toward 19-year-olds only interested in noncommittal Tinder hookups, like the script forgets its characters aren’t in college anymore. With snappily delivered dialogue, bouncy incidental music in the background, and a model-quality cast where you won’t find a single pimple, there’s this vague vibe of a Hallmark holiday movie, except the subject matter concerns a serial killer slaughtering single women. “F Marry Kill” also comes billed as a comedic thriller, but be ready to find those few and far between thrills flavored vanilla, and the humor either too subtle to be seen, or so full of ham it could be served for Easter dinner.
As if the writers deliberately designed things so every box on the form could be checked, cough cough, Eva Vaughn enjoys a close circle of diverse friends. Her best gal pal is Kelly, a married blonde who likes watching her own wedding video. Nonbinary Anthony, who is Filipino, has a long-term boyfriend, but still dreams of having even more boyfriends. Robin, a Black woman, is single, yet she’s a fan of ethical polyamory.
We know all of the above because the movie introduces every single character, no matter when they first appear, via bubbled windows popping in on freeze frames that identify everyone by name, age, marital status, and one specific trait telling us everything there is to know about their simple personalities. Yes, “F Marry Kill” uses the flashy pop stylings of a VH1 production to put its tongue in its cheek while putting up the presentation of a fleet-footed and “fun” murder-mystery.
These first few friends don’t even need that meager amount of description. Aside from group scenes, all of their lines could have been given to one or two people instead of three and no one would notice there had ever been more of them to begin with.
Mattering more are the three men Eva begins dating. Somewhat recently removed from an eight-year relationship ended by her police officer ex, Eva finally feels ready to get back on the scene. After Robin helps set her up on an app, Eva swipes right on Mitch, a handsome bar owner who becomes Eva’s friend with benefits on their first date. Eva also matches with Kyle, whom she happens to know from middle school, and who happens to still have an unsightly habit of picking his nose. Not all of Eva’s potential new boyfriends materialize from cellphone photos. Her overprotective sister Valerie gifted Eva with a security system for her birthday, and Eva puts the installer, Norman, on her shortlist of suitors, too.
It's a bad time to be bedding unfamiliar men in Boulder, Colorado, since a serial slasher dubbed “The Swipe Right Killer” has been ending online dates with murder. A true crime junkie, Eva stays current on those killings via a podcast whose clues eerily coincide with curiosities concerning Mitch, Kyle, and Norman. It isn’t long before Eva starts suspecting one of them could be the killer. Before winding up as another victim, Eva decides her dates will double as secret opportunities for amateur sleuthing as she endeavors to discover which of her new men might be the murderer.
Objectively, I’m not entirely sure what to rate “F Marry Kill” because subjectively, the film had nearly no effect on me. A Goldilocks bowl of beige movie porridge, the flick is a largely passive viewing experience with superficial caricatures for characters, an intrigue-free whodunit, and a tame twist garnished on top of the mushy meal. “F Marry Kill” carries an R rating “for sexual material, language, some violence and drug use,” which seems harsh considering there’s almost no blood, no murders committed onscreen, and the overall vibe plays closer to PG-13 in tone.
Lucy Hale works well enough as Eva. She’d probably be better if her role wasn’t written to be so reactionary. Eva plays second fiddle in nearly all her scenes, serving up exaggerated expressions, slinging quick quips, and often playing straight man in response to someone else’s actions instead of being the driving centerpiece herself.
Tying her characterization together with a couple of color-faded red herrings, one underwhelming reveal telegraphed by the cover art, and a whole lot of “eh” and “meh” in between, “F Marry Kill” joins Blumhouse’s “Truth or Dare” (review here) and “Fantasy Island” (review here) to complete a trifecta of milquetoast genre projects for Hale. Quality of product is more on her agent than it is on Hale, as she always gives all she’s got with pleasant “pep in her step” performances. Let’s just cross our fingers that the fourth time is the charm for her next swim in similar waters.
Review Score: 50
Dualities dominate “F Marry Kill,” though they cause confusing creative conflicts more often than they work in tandem to complement one another.