Studio: Cranked Up Films
Director: Jefferson Moneo
Writer: Jefferson Moneo
Producer: Joseph Raso, Mark Raso, Brian Robertson, Jefferson Moneo
Stars: Camille Rowe, Emmanuelle Chriqui, Joshua Burge, Phil Granger, Antonia Zegers, Amy Matysio, Miho Suzuki, John Boylan, Vickie Papavs
Review Score:
Summary:
Four years after escaping an unusual UFO cult, a troubled woman returns in search of answers regarding her missing mother and the mysterious cult leader’s supposed resurrection.
Review:
“From the producer of ‘Paranormal Activity’ and ‘Get Out’.” “Starring Academy Award-winning actors Renee Zellweger and Matthew McConaughey.” “Based on the bestselling novel by Stephen King.” We’ve all seen the same boilerplate marketing taglines repeatedly reused to generate interest in one horror movie or another. But “Cosmic Dawn’s” use of “Featuring music by MGMT” might be the first time a thriller ever touted an alt rock band’s soundtrack contributions as a primary “why to buy” in a PR campaign.
I’m only teasing because the truth is, I enjoy MGMT. That bizarre bullet point about the movie using their music is actually what pushed me off the fence to take a chance on an under-the-radar cult conspiracy film I otherwise would have ignored if something more attractive took my attention that afternoon instead.
Back in the summer of 1997, when “The X-Files” was still sowing imaginary seeds of irrational worry about men in black and intruders from outer space, Aurora had a close encounter of her own. While watching a blood moon eclipse during her mother-daughter camping trip, a UFO apparently washed the woodland area in entrancing lights before whisking away Aurora’s mesmerized mother to parts unknown.
Aurora never really recovered from the experience. Years later, she deals with the ongoing trauma of her mother’s disappearance by dulling her brain with drugs to keep haunting visions at bay.
One night, a vision of an alluring woman leads Aurora into a boutique bookstore where she meets Natalie. Recognizing Aurora’s interest in alien abductions, Natalie recommends a book titled ‘Cosmic Dawn.’ Aurora can hardly believe her eyes when she sees that the book’s author, Elyse, resembles the fleeting figure she followed from the street. Aurora has a second “wait, what?” moment when she notices that Cosmic Dawn’s symbol matches a tattoo on her arm. Natalie smiles, and invites Aurora to meet some like-minded friends. Aurora of course doesn’t realize it yet. But she’s about to join a group of fellow abductees led by none other than the enigmatic Elyse.
Fast-forward four years. Aurora is long done with Cosmic Dawn, but they’re far from done with her. Elyse’s right-hand man Dieter has finally found Aurora to deliver an unwelcome, and unexpected, message. Elyse has supposedly returned from the dead, and it’s time for Aurora to return to the fold so she can fulfill her prophesized purpose in Cosmic Dawn’s plan to transcend space and time by rejoining the alien beings.
At this point in the movie, “Cosmic Dawn” tries a trick by branching into alternating timelines so we simultaneously see what led to Aurora having to escape from the cult in the past, and what’s bringing her back in the present. It’s a smart narrative strategy since it helps build more of a mystery out of a straightforward story that wouldn’t simmer as much suspense if it were told linearly. We’re not in M. Night Shyamalan twist territory or on a “Pulp Fiction”-styled plotline that’s dependent on such a structure for a big reveal or anything. This merely helps the movie create an artificial, yet effective, momentum it otherwise wouldn’t have.
“Cosmic Dawn” hits a creative hitch here however when each timeline transition comes with a wipe that includes an Ed Wood “whoop-whoop-whoop” sound effect. It’s about as unsubtle as Wayne and Garth waving their hands while warbling “doo-loo-doo-loo-doo,” and just as goofy too. I snickered with a raised eyebrow every single time it happened, which is probably in the neighborhood of 15 times. One can’t help but think there had to be a better way to handle the back and forth without something that unintentionally “sillies” up what’s supposed to be a serious story.
It makes sense that MGMT’s involvement became a talking point, perhaps out of “how else are we supposed to sell this?” desperation. “Cosmic Dawn” can’t be considered commercial in traditional terms. I imagine publicists had a tough time pinning down how best to bill the film. There’s more drama than dread. More psychological suggestion than concrete chills. Since the movie isn’t manufactured to be true horror or strict sci-fi, watching Aurora’s experience with Cosmic Dawn develop is uneasy without being outright unsettling. It’s kind of akin to spending time with Heaven’s Gate before they considered killing themselves to board a spaceship cruising in the tail of the Hale-Bopp comet. The feeling is consistently uncomfortable, as all cults are before cyanide spikes the Flavor-Aid, yet it never feels fully sinister, nor does it ever intend to.
“Cosmic Dawn” doesn’t possess the multi-layered paranoia to compete with “Sound of My Voice” in terms of top-tier “who’s telling the truth?” cult intrigue. However, it still stays eerie enough to hold your attention for 95 minutes, even though there isn’t a whole lot of intense action to dazzle your eyes and ears. Rather, your mind will have to make do with a mildly moody little spooker that fills it to the rim with vaguely hallucinogenic vibes, colorfully strobing lights, and a deeply dreamy texture that’s as entrenched in an indie aesthetic as any movie can possibly get.
Review Score: 60
While the movie works as an atmosphere-building slow burn, the lack of substance in the story makes “Black Cab” harder to get into as a narrative.