CONTROL FREAK (2025)

Studio:   Hulu
Director: Shal Ngo
Writer:   Shal Ngo
Producer: David Worthen Brooks, Arbi Pedrossian, Jenna Cavelle, Shaum S. Sengupta
Stars:    Kelly Marie Tran, Miles Robbins

Review Score:


Summary:

Obsessed with scratching a nagging itch on her head, a motivational speaker’s haunted family history leads her to suspect she may be possessed by a figure from folklore.


Synopsis:     

Review:

Counting from the first frame to the final credit, “Control Freak” runs a dead-even one hour and 44 minutes, which tips toward the long side for a straight-to-streaming psychological drama. Although only two actors receive title card billing, over a dozen different performers feature in the film. Flashback scenes add a second time period, with Kentucky filling in for locations that include a nail salon, a monastery, a theater, a hospital, and even a Vietnamese rice paddy.

I’m tallying these numbers to show that “Control Freak” has a lot going on for what’s ostensibly a tightly controlled spotlight on one woman. Yet despite this surprising scope stuffed into a comparatively contained story, the uneven experience ends up feeling so fleeting that I’m uncertain what needs to be said about the movie other than a head-tilting “eh.”

Valerie “Vy” Nguyen (Kelly Marie Tran) makes a lucrative living as a motivational speaker. Life coaches don’t often earn celebrity status quite like she does, as evidenced by her spacious home, deeply populated management team, and throngs of adoring fans flocking to venues all over the globe to hear Vy speak during her major world tour.

Vy could use someone to pick up and pick through pieces of her own life, however. Ever since childhood, she’s been haunted by the death of her mother, and the mystery of exactly how it happened. The upcoming anniversary of that event exacerbates stress piling up from the tour, not to mention pressure from Vy’s husband Robbie (Miles Robbins) to start raising a family of their own. Could these be the reasons behind a growing itch on the back of Vy’s head, causing constant, compulsive scratches that gradually grow into gouges?

Or could the culprit be a Sanshi? Movies revolving around possession often transpose routine devils and demons for mythical monsters from cultural folklore, which is precisely what “Control Freak” does. According to Vy’s father Sang, a drug-addicted former soldier who became a monk in his later life, a Sanshi is a hungry, parasitic ghost who poisons its human host with uncontrollable urges until it ultimately consumes that person’s body and soul. Sang warns Vy that she inherited the same curse that afflicted her troubled mother, and if she isn’t cautious, her sanity will eventually shatter too.

Making matters worse, visions of ant swarms, some of which are real while others are nightmarish hallucinations, begin haranguing Vy as well. With reality seemingly unraveling around her, Vy isn’t sure what to believe. All she knows for sure is she has to keep scratching her scalp, even if she is boring a bloody hole straight into her brain.

In 2021, writer/director Shal Ngo’s short film “Control” featured in the second season of Hulu’s “Bite Size Halloween” collection of horror shorts. Even if you didn’t previously know “Control Freak” started as a six-minute movie that was built out into this feature, you might have guessed it from the “this could have been an e-mail” energy pulsing throughout the padding. This looks like a clear-cut case of “should have been a short,” which “Control Freak” originally was, and it shows.

Other than the bloat of bland sequences stretching out the runtime, it’s not like there’s anything overtly “bad” about the film. It’s merely an unnoticeable movie where everything from acting to effects can basically be described as “fine.”

Kelly Marie Tran is fine as Valerie. Character studies usually require an interesting character to study, but Vy is only a common stereotype: an outwardly successful professional struggling internally with a past trauma that plagues her present, so there’s no room for Tran to emote anything extraordinary that similar heroines haven’t already done in similar circumstances. Miles Robbins’s husband is underwritten to the point of being indescribable, leaving him with middling material he can chew with his gums since sharp teeth aren’t required.

At its core, “Control Freak” combines its Vietnamese-inspired mythos and Valerie’s nagging itch into a metaphor for baggage brought by haunted family history. This makes for an earnest fable whose intent at examining one person’s fragile psyche would be all well and good if it weren’t for the formulaic familiarity and drawn-out drama holding the movie to a slow speed. Cryptic claims. A collection of newspaper clippings to fill in a few blanks. Serendipitous timing of certain events. It’s all too scripted to ever feel like a real, harrowing situation where audience empathy could elevate a passive viewing experience into an intensely vicarious one.

“Control Freak” colors within the lines of Hulu’s typical template for a slow-burn thriller with a supernatural element, no more, no less. For undemanding viewers, a minor message bundled into forgettable frights might indeed be “fine” for a fire-and-forget selection used as background entertainment. For heftier horror, you’ll need stronger medicine than the watered-down remedy “Control Freak” provides.

Review Score: 45