Studio: Syfy/Universal 1440 Entertainment
Director: Karen Lam
Writer: Dana Schwartz, Rebekah McKendry, Alyson Fouse
Producer: Griff Furst
Stars: Kerri Medders, Tiera Skovbye, Missi Pyle
Review Score:
Summary:
A masked killer stalks a high school cheer squad with mysterious connections to a tragedy that took place 20 years earlier.
Review:
More mainstream movie properties ought to follow “Bring It On’s” lead by branching out into unexpected horror offshoots. Imagine Renee Zellweger returning to her B-movie roots with “Bridget Jones’s Necronomicon.” Or maybe “Legally Blonde” moves its klutzy comedy out of a courtroom and into a haunted asylum. If “Bring It On” can evolve from Kirsten Dunst championing a cheer squad’s PG-13 pep to Syfy slasher for Halloween season by its sixth small-screen sequel (yes, “Cheer or Die” really is the seventh “Bring It On” film), then there’s no reason why “Mamma Mia!” can’t go from Abba-themed musical to making Meryl Streep a supernatural serial killer for its third installment.
“Cheer or Die” doesn’t really have anything to do with the “Bring It On” series per se. It certainly doesn’t include any previous characters, storylines, or anything like that. Basically, the filmmakers produced a cheerleader-themed fright flick and someone said, “How about we make this part of the ‘Bring It On’ brand?” It’s a relatively low-risk dare to futz with the genre on a franchise that’s comfortable in a direct-to-DVD niche anyway, but kudos still go to whoever had the chutzpah to do something completely uncharacteristic with a concept that’s traditionally more “Degrassi” than “Friday the 13th.”
Compared to Syfy’s other twisted takes on established IP, “Bring It On: Cheer or Die” isn’t as subversively edgy as “The Banana Splits Movie” (review here) or as daringly slick as the “Slumber Party Massacre” remake (review here). Its horror leans lighter, and its tone does too, making for a movie that’s nevertheless enjoyable as a one-night lark, which seems to be how its creators treated it as well. That’s A-OK for a breezy B-movie built on mildly flippant fun. It’s just that no one should expect “Cheer or Die” to reinvent made-for-cable thrillers or cause crowds to clamor for more where this came from.
20 years ago, a jealous cheerleader caused her rival’s death during a regional cheer competition, which also caused Elk Moore High School to close down following the tragedy. The school eventually reopened in a new location, and even brought back the Diablos cheer squad, but under the strict stipulation that cheerleaders must never leave the floor again.
Vanilla routines just don’t cut it when you’re going up against The Green Knights though. Even though Principal Simmons expressly forbids aerial maneuvers, team captain McKayla and co-captain Abby know getting risky is the best way to win. To get around the ban against performing stunts on school grounds, McKayla and Abby convince the squad to give up their Halloween weekend to practice in secret at the abandoned school across town. They’re in deeper danger than they could ever expect, however, because a psychopath disguised as their mascot is deathly determined to butcher each and every last one of them.
As you can tell from that summary, “Bring It On: Cheer or Die” follows the formula for whodunit horror. As you might also suspect under these low-budget circumstances, the murder mystery doesn’t have the depth for its misdirects and MacGuffins to make much of an impact in the intrigue department. The killer’s identity isn’t obvious. You’re merely unlikely to be sitting on pins and needles waiting to see the mascot unmasked.
People can come up with plenty of petty, albeit valid, criticisms like, how is it that these teenagers haven’t even heard of a gruesome death that directly involved their cheer squad 20 years ago? Ten seconds on Google would immediately link the people who were part of that event to their descendants, and you just know classmates would constantly gossip about those connections. And why would the murderer need a disguise when the victims end up dead anyway?
Then you have to remember, “Bring It On: Cheer or Die” isn’t grounded in reality that way. The film isn’t full speed tongue-in-cheek, but it obviously isn’t meant to be taken with rigid seriousness either.
The murderous mascot prioritizes victims with a points-based kill list that literally identifies each character according to dominant stereotypes, e.g. slut, ditz, stoner, jock, basic b*tch, etc. Because it doesn’t really have to, “Bring It On: Cheer or Die” never pursues an ambition to get truly inventive about playing with teen horror clichés. Simply wringing some dark comedy out of typical tropes lets the movie hit for passable par on this basic cable putting green.
Of course characters have names like Paige and Taylor, and they live in suburban homes decorated with inspirational text art from Target. Of course melodrama gets manufactured from a snarky blonde bullying a wide-eyed good girl. Even in using predictable pieces though, “Bring It On: Cheer or Die” creates some good gags and good lines to sprinkle the bloodless slaughter with light laughs.
Someone notes that mats borrowed from the wrestling team “smell like sadness.” Someone calls the co-captain the “Kirkland Signature Brand” version of their regular captain, which earns the backhanded compliment, “Only Kirkland Brand is good!” Then there’s the person who remarks, “If this is a ‘Saw’ thing, I’m totally not cutting off my leg” upon recognizing a torturous situation. The comedy goose isn’t exactly laying golden eggs, but there’s enough here for “Bring It On: Cheer or Die” to wreak a harmless brand of humorous TV havoc.
Constructed out of semi-witty quips, gore-free deaths, and a straightforward slasher story, “Bring It On: Cheer or Die” checks safe boxes as gateway horror for a 13-year-old. Viewers who’ve aged out of that target audience might need to accept who occupies this territory before registering any real complaints. Let the kids have this one. For more mature tastes, “Cheer or Die” can take a secondary assignment as an inoffensive soundtrack to accompany 90 minutes spent focused primarily on your phone.
Review Score: 65
Although sleeker and perhaps scarier, “Smile 2’s” fault is that it’s arguably “more of the same” rather than a real advancement on what came before.