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What if the overdone horror trope of a child’s imaginary friend turning out to be an evil entity was needlessly stretched into a 100-minute feature?
Based on my memory of “Last Shift,” “Malum” seems largely like a mirror image that’s just reflecting in slightly more polished glass.
An apple hasn’t fallen this close to a father’s tree since Joe Hill inherited the storytelling style and macabre matter of Stephen King.
“Child’s Play” pretends to be “about” the horrors of interconnected technology. Really, it’s just another routine killer doll movie.
Fraught with overwhelming fear from its opening moments, “Green Room” puts a knot in the pit of the stomach that is impossible to untie.
What if the overdone horror trope of a child’s imaginary friend turning out to be an evil entity was needlessly stretched into a 100-minute feature?