TRICK (2019)

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Studio:      RLJE Films
Director:    Patrick Lussier
Writer:      Todd Farmer, Patrick Lussier
Producer:  Ita Kennedy, Ellen Wander
Stars:     Omar Epps, Ellen Adair, Kristina Reyes, Jamie Kennedy, Tom Atkins, Max Miller, Thom Niemann, Kya Taylor Brickhouse, Aaron Dalla Villa, Robert McKay

Review Score:

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Summary:

An FBI agent and a small town sheriff hunt a seemingly supernatural serial killer who reappears every Halloween.


Synopsis:     

Review:

Trick-or-treating. Jack-o-lanterns. Haunted maze attractions. Colored lights. Costume parties. Latex masks. “Trick” definitely has the Halloween feeling down pat, which should be welcome news for fans of October-flavored fright films.

As much overtime as it works to capture the spirit of the season, “Trick” puts in even more effort to mirror “Halloween” the movie. Just look at this single-sentence summary of the story: “An FBI agent and a small town sheriff hunt a seemingly supernatural serial killer who reappears every Halloween.” Replace “FBI agent” with “obsessed psychiatrist” and what does that sound like to you?

In addition to the overall premise, “Trick’s” beats include investigating an abandoned house where past murders took place, a stolen tombstone used as a haunting taunt, the killer tormenting two babysitters, and more than one sequence of stalking and slashing set inside a hospital. I can’t tell if screenwriter Todd Farmer means to wink at an in-the-know audience with all of his references or if he just challenged himself to see how many Carpenter-Hill plot points he could sneak into his own script.

It’s not quite a first-person view from behind the eyes of a mask, but a handheld camera walks us into the opening scene. It’s Halloween 2015 in Benton, New York, a place with an inordinate amount of on-duty deputies and available law enforcement personnel for a township of 4,400 people. Actors in their twenties play high-schoolers in their teens at a house party attended by quiet loner Patrick ‘Trick’ Weaver. Trick snaps during a game of ‘Spin the Knife’ and suddenly starts stabbing his classmates.

A jock, easily identified because he still wears his letterman jacket four years later at age 22, subdues Trick with an assist from good girl Laurie Stro- oh, Cheryl Winston. Trick ends up handcuffed in a hospital, although he doesn’t remain there long. Trick stomachs several slugs from Sheriff Jayne and Detective Mike Denver before falling from a second story window during an escape attempt. When they get outside however, Jayne and Denver find only empty ground where Trick’s body should be.

The cops conclude Trick probably drowned in the ice-cold Hudson River. Detective Denver isn’t so sure. When another masked murderer creates chaos at a costume party the following year, Denver suspects the true Trick resurfaced, yet remains as elusive as ever.

By 2017, Trick’s notoriety grows to creepypasta proportions as he continues becoming a bizarre boogeyman idolized by the internet. In 2018, Trick’s killing spree takes out two of Denver’s FBI associates, leading to Denver’s ouster from the bureau. Denver may be officially off the case, but Trick isn’t anywhere near getting out of the determined detective’s mind.

Back in the heyday of horror franchising, “Trick” would have been five separate movies. Instead, “Trick” gets us through the first four films in under thirty minutes, catching us up to 2019 as Trick finally returns home to complete the horror he started.

“Trick” deserves the hard time I’m cynically giving it in good humor. From the stereotypical lawman devoting his life to one unsolvable case to the immortal masked killer with a seasonally specific modus operandi, the circumstances surrounding these crimes only occur at the cinema or in comic books. And “100% preposterous” doesn’t come close to reflecting the ridiculousness of the revelation tying the truth of Trick’s holiday homicides together.

Director Patrick Lussier and writer Todd Farmer’s creative collaboration indulges itself on impossibilities much more than makes sense for practicality. Excessive jump scares overload to a point where they lose their pop after the hundredth volume-boosted jolt. While I appreciate that the deputies aren’t named Romero, Hooper, or Craven, I’m not sure naming them after filmmaking friends Wan, Green, Slater, and Reddick is an improvement on that particular “takes me out of the movie” trope. Shave out sillier inclusions such as comedian Jamie Kennedy pulling a ponytail over his bald spot to portray a surgically-skilled doctor and the movie might have more convincing credibility.

But by the time your eyes roll with an incredulous “oh, c’mon!” over the endgame, you’ve been entertained consistently enough to forgive the film’s mustache-twirling fiction. “Trick’s” fleet feet move at a breakneck speed. The movie features nearly nonstop slaughter, several setups that would make Jigsaw jealous, and plenty of pumpkins to appease people who can’t get enough Halloween in their horror. This is Farmer and Lussier invoking all the savagery and snark they can muster to manufacture a good old-fashioned slasher with snappy style. Even though the last act specifically is ludicrously written, the fun this film has translates into a slickly made production that satisfies the job it sets out to do as homage horror.

Review Score: 65