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It’s one thing for a movie to be bad. It’s another thing to be boring. To be both is simply inexcusable, and that sums up “The Domicile.”
"Slither” comes about as close as any contemporary genre film can to capturing the feel of a 1950s Saturday matinee monster movie.
Its bones are given life by a unique skin of subtle fantasy providing a patina of escapist entertainment this sort of story usually doesn’t have.
These unlikely potpourri pieces work in concert to create a unique motion picture that is funny, sweet, smart, sly, and sometimes even savage.
The movie makes sure to showcase Kong with every ounce of mammoth majesty the mighty king so rightfully deserves.