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“The Open House” has nearly nothing of note, leaving just a throwaway thriller not at all worthy of bearing the Netflix name.
Let’s cut the quibbling over distinctions between psychological thriller, dark drama, fabulist fantasy, or whatever other words one wants to misapply to sidestep calling a fig a fig.
“Happy Death Day” marks a maturity point for Blumhouse’s previously shortsighted takes on PG-13 horror.
“68 Kill” gets away with its gobs of grindhouse grain by slathering scenery in dark humor and switching stereotypes regarding which sex wields the power.
Lean, clean, and compact with more motivation than most, “The Unraveling” is a refreshingly respectable piece of streamlined suspense cinema.