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HAUNT (2013)

“Haunt” is highly successful at gradually weaving a drape of dread over itself, although it is less on the mark at keeping that fire stoked as the momentum runs out of steam.

April 1, 2014 by Ian Sedensky.
  • April 1, 2014
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DOC OF THE DEAD (2014)

“Doc of the Dead” zips through key points of zombie history so breezily that it barely pauses to pat each head in a breathless game of Duck Duck Goose.

April 1, 2014 by Ian Sedensky.
  • April 1, 2014
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13 SINS (2014)

Occupy the time with mulling over the puzzle of where “13 Sins” is headed next and becoming absorbed in its mystery can end up turning into a great deal of mind-teasing fun.

March 31, 2014 by Ian Sedensky.
  • March 31, 2014
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THE DINOSAUR EXPERIMENT (2013)

There is such a bland sense of style to “The Dinosaur Experiment” that no amount of willfully excusing its low-budget shortcomings can even out the poor plotting, characterization, dialogue, and direction.

March 30, 2014 by Ian Sedensky.
  • March 30, 2014
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DARK HOUSE (2014)

... the final direction loses its focus before buckling under the weight of characters, concepts, and side plots that do more to weigh down the core story than they do to enhance it.

March 30, 2014 by Ian Sedensky.
  • March 30, 2014
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CHILDREN OF SORROW (2012)

... those details are the pitchfork stabbing holes in “Children of Sorrow” to the point where the moments that work take on a lot of unnecessary water from the ones that don’t.

March 29, 2014 by Ian Sedensky.
  • March 29, 2014
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ALIEN ABDUCTION (2014)

“Alien Abduction” borrows too heavily from a familiar formula for a story that never fully capitalizes on the uniqueness of its premise.

March 28, 2014 by Ian Sedensky.
  • March 28, 2014
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LOCKER 13 (2014)

("Locker 13") makes for a refreshing alternative to the macabre madness, blood-soaked monsters, and paranormal hauntings of (other anthologies) by keeping a level head that still retains enough twists and chills to be suspenseful and entertaining.

March 27, 2014 by Ian Sedensky.
  • March 27, 2014
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THAT GUY DICK MILLER (2014)

“That Guy Dick Miller” settles for being a loose collection of somewhat related notes and anecdotes that don’t reveal nearly as much about Dick Miller as they should.

March 26, 2014 by Ian Sedensky.
  • March 26, 2014
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TOM HOLLAND'S TWISTED TALES (2013)

“Twisted Tales” puts forth the perception that Holland felt a quick and dirty webseries produced on the cheap did not require an A game.

March 25, 2014 by Ian Sedensky.
  • March 25, 2014
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CYBERGEDDON (2012)

Take it as anything more serious than popcorn entertainment originally intended for small doses on a computer screen, and you are doomed for disappointment.

March 25, 2014 by Ian Sedensky.
  • March 25, 2014
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THE GUEST (2014)

“The Guest” ends up as less of a fully satisfying film and more of a passport for Wingard, Barrett, and the cast to run wild in a well-crafted, but somewhat empty playground.

March 24, 2014 by Ian Sedensky.
  • March 24, 2014
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FAULTS (2014)

The top to bottom roster of exceptional talent shines brighter than the wobbled rhythm, giving “Faults” at least one undeniable asset that no reviewer could criticize.

March 23, 2014 by Ian Sedensky.
  • March 23, 2014
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HONEYMOON (2014)

Despite the miscues on social commentary and a slow-rolling first half, “Honeymoon” still manages to strike a sickly tone of eeriness.

March 21, 2014 by Ian Sedensky.
  • March 21, 2014
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HOUSEBOUND (2014)

Gerard Johnstone crafts a smart and fun slice of frightful suspense that finds just the right formula for making screams and laughs blend together effortlessly.

March 20, 2014 by Ian Sedensky.
  • March 20, 2014
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OPEN WINDOWS (2014)

(With "Open Windows," writer/director Nacho Vigalondo) emulates classic Hitchcockian tropes like mistaken identity and refrigerator logic to create a bullet train ride through imaginative insanity.

March 19, 2014 by Ian Sedensky.
  • March 19, 2014
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LATE PHASES (2014)

“Late Phases” ends up making a place for itself at the top of the list of werewolf movies least desirable for a repeat viewing.  And that is a disappointment indeed.

March 18, 2014 by Ian Sedensky.
  • March 18, 2014
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[REC]3: GENESIS (2012 - Spanish)

Thumbs up to Paco Plaza and the [REC] team for putting all their chips behind the line with an aim to reinvent their series before it goes stale. Too bad they rolled a seven.

March 16, 2014 by Ian Sedensky.
  • March 16, 2014
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[REC]2 (2009 - Spanish)

“[REC]2” does not have the sustained intensity of the original, but it occasionally finds ways to shake the senses in spite of its muddled concept.

March 16, 2014 by Ian Sedensky.
  • March 16, 2014
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THE BIRDS (1963)

“The Birds” might have benefitted from a notch or two of belt tightening, but (it) can still affect the most fearless viewer, even if it is more than half a century later.

March 16, 2014 by Ian Sedensky.
  • March 16, 2014
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CULTURE CRYPT

The best resource for genre movie reviews and horror pop culture.

Culture Crypt is the most reliable website for genre movie reviews and the best in popular culture, specializing in independent horror film entertainment.

  • Main Page
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    • Movie Reviews A-F
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LATEST MOVIE REVIEW

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THE RITUAL (2025)
Jul 1, 2025
THE RITUAL (2025)
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Stop yourself before you’re tempted to watch “The Ritual,” an interminably stiff and entirely derivative bore.

Jul 1, 2025

NEW ON BLU-RAY FOR JULY

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SINNERS (2025)
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No matter where a personal opinion lands, you still have to tip your cap to an imaginative vision that stays true to pursuing its own path.

Jun 4, 2025
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“Until Dawn” manifests a mishmash of hairless wendigos, spontaneous combustion, and a witch watching television, but it’s all cliched clutter.

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“Whatever, it’s fine” doesn’t sound like a ringing endorsement, yet that’s approximately where “Hell of a Summer” lands in ultimate entertainment value.

Apr 25, 2025
THE RULE OF JENNY PEN (2024)
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“The Rule of Jenny Pen” fires off frightful suggestions from a bevy of barrels pointed directly at anyone who has ever felt unnoticed and unheard.

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    Apr 4, 2023, 9:48 AM

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