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THE OCCUPANTS (2014)

Part psychological thriller and part cold case murder mystery, the temperature is only lukewarm enough for a cable television movie and never anything more.

January 14, 2014 by Ian Sedensky.
  • January 14, 2014
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RAZE (2013)

“Raze” is an intelligent action movie deliberately dipping its toe in only enough depth to prevent it from being empty girl on girl violence.

January 13, 2014 by Ian Sedensky.
  • January 13, 2014
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CARRIE (2013)

“Carrie” plays it far too safe to ever have a shot at standing out for audiences en masse, but it finds more than one way to work as big budget entertainment telling a relatable story to a modern audience.

January 12, 2014 by Ian Sedensky.
  • January 12, 2014
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SCARECROW (2013)

Killer scarecrows are to horror movies what Arby’s is to cuisine. We know better than to indulge in something we will regret later, but we just cannot help ourselves and do it anyway.

January 11, 2014 by Ian Sedensky.
  • January 11, 2014
  • Ian Sedensky
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VOODOO POSSESSION (2014)

It is fittingly appropriate that voodoo is occasionally debased as “mumbo jumbo” because “Voodoo Possession” has plenty of it.  Mumbo jumbo, that is.  Voodoo, not so much.

January 8, 2014 by Ian Sedensky.
  • January 8, 2014
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AMBER ALERT (2012)

... in between the doldrums of whiny voices and overexposed views out a windshield, the too real terror of helplessness at the hands of a twisted stalker reflects a grim depiction of frighteningly relatable horror.

January 8, 2014 by Ian Sedensky.
  • January 8, 2014
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YOU'RE NEXT (2011)

“You’re Next” bobbles a garden variety first act with a nearly nonsensical second, but redeems itself in the final third by replacing its straight slasher setup with a stylistic flourish of personality.

January 6, 2014 by Ian Sedensky.
  • January 6, 2014
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ANTISOCIAL (2013)

“Antisocial” misses the very opportunity it creates for itself by choosing to bite weakly as typical Armageddon terror instead of fiercely as savvy social media satire.

January 4, 2014 by Ian Sedensky.
  • January 4, 2014
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THE MONKEY'S PAW (2013)

“The Monkey’s Paw” ticks every box on its To Do list of offering simple chills and suitable charms with a well-produced interpretation of a classic story fitting finely into a Friday night of horror entertainment.

January 3, 2014 by Ian Sedensky.
  • January 3, 2014
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RITUAL (2013)

“Ritual” needed a richer back half and a faster track to getting there.  A prolonged buildup to the discovery already revealed by the film’s own synopsis negates any tension and nothing along the way justifies the extended journey.

January 1, 2014 by Ian Sedensky.
  • January 1, 2014
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SOLO (2013)

Big boys of isolated woodland horror have nothing to fear from this small indie, but it is a filling enough piece of bite-sized entertainment for anyone not too gorged on the young woman in peril premise.

December 31, 2013 by Ian Sedensky.
  • December 31, 2013
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HAUNTED (2013)

Favoring realism over entertainment makes for a movie that had a good idea for a location and an updated take on the rote ghost hunt template, yet forgot to include genuine suspense anywhere in that formula.

December 31, 2013 by Ian Sedensky.
  • December 31, 2013
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7E (2013)

As opposed to disturbing, uncomfortable, or hypnotic, the mood of “7E” is best described as uncertain, confusing, and outright uninteresting.

December 30, 2013 by Ian Sedensky.
  • December 30, 2013
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TRAIL OF BLOOD (2011)

“Trail of Blood” is a case of some eye-rolling individual moments and unconvincing miscellany adding up to a whole that is average, yet far from noteworthy.

December 29, 2013 by Ian Sedensky.
  • December 29, 2013
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THE BUCKS COUNTY MASSACRE (2010)

“Bucks County Massacre” is an exercise in extraneous exposition meandering so long that it misses the turnoff to exit its never-ending first act.

December 29, 2013 by Ian Sedensky.
  • December 29, 2013
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THE UNDERNEATH (2013)

Making a movie about two people trapped underground without the ability to portray a realistic cavern equals dead on arrival atmosphere ... The blunt truth is that “The Underneath” should never have even tried.

December 27, 2013 by Ian Sedensky.
  • December 27, 2013
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100 GHOST STREET: THE RETURN OF RICHARD SPECK (2012)

In whatever Bizarro world where someone is forced to choose one “found footage” Asylum film based on a dead serial killer under threat of a firing squad, the correct decision is to light a cigarette and wear a blindfold.

December 26, 2013 by Ian Sedensky.
  • December 26, 2013
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OPEN GRAVE (2013)

Overlooking such exposed warts enables an improved view of the entertaining epidermis underneath, even if digesting the entirety of “Open Grave” leaves a hunger pang of unfulfilled satisfaction.

December 25, 2013 by Ian Sedensky.
  • December 25, 2013
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8213: GACY HOUSE (2010)

Bear in mind, this is a “found footage” horror film from The Asylum centered on a dead pedophile serial killer wearing clown makeup. Just how “good” does anyone expect it to be?

December 25, 2013 by Ian Sedensky.
  • December 25, 2013
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BLACK CHRISTMAS (2006)

This update to turn “Black Christmas” into a more conventional slasher lacks the heart, soul, and uniqueness that originally made the property an enduring classic.

December 22, 2013 by Ian Sedensky.
  • December 22, 2013
  • Ian Sedensky
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CULTURE CRYPT

The best resource for genre movie reviews and horror pop culture.

Culture Crypt is the most reliable website for genre movie reviews and the best in popular culture, specializing in independent horror film entertainment.

  • Main Page
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LATEST MOVIE REVIEW

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THE RITUAL (2025)
Jul 1, 2025
THE RITUAL (2025)
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Stop yourself before you’re tempted to watch “The Ritual,” an interminably stiff and entirely derivative bore.

Jul 1, 2025

NEW ON BLU-RAY FOR JULY

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SINNERS (2025)
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No matter where a personal opinion lands, you still have to tip your cap to an imaginative vision that stays true to pursuing its own path.

Jun 4, 2025
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“Until Dawn” manifests a mishmash of hairless wendigos, spontaneous combustion, and a witch watching television, but it’s all cliched clutter.

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“Whatever, it’s fine” doesn’t sound like a ringing endorsement, yet that’s approximately where “Hell of a Summer” lands in ultimate entertainment value.

Apr 25, 2025
THE RULE OF JENNY PEN (2024)
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“The Rule of Jenny Pen” fires off frightful suggestions from a bevy of barrels pointed directly at anyone who has ever felt unnoticed and unheard.

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    COCAINE BEAR is like an exploitation era B-movie you'd enjoy at the drive-in, but backed by Hollywood studio money… https://t.co/9DKd9qB6JG
    Apr 4, 2023, 9:48 AM

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