Like how audiences snicker at the ludicrous logic of an atomic monster movie, “Final Destination: Bloodlines” is wild in the best way possible.

“Ash” shows more promise for Flying Lotus’s filmmaking future rather than impressing as an early career highlight to be repeatedly revisited.

“Dark Match” got me thinking. How did I handle B-movie believability when I was younger? What was the criteria for suspension of disbelief?

“Destroy All Neighbors” benefits from a precise calibration of a viewer’s mindset beforehand, preferably influenced by that person’s vice of choice.