“Dark Match” got me thinking. How did I handle B-movie believability when I was younger? What was the criteria for suspension of disbelief?
“Dark Match” got me thinking. How did I handle B-movie believability when I was younger? What was the criteria for suspension of disbelief?
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“The Woman in the Yard” languishes as a mostly muted spooker that’s heavy on dour drama, yet light on lasting chills.
What’s the point in paying the movie any attention simply because it was first to hijack a lapsed Disney property for exploitation in hacky horror?
“Presence” illustrates the dreadful dullness a stranded spirit would actually encounter while peacefully haunting a normal house.
Somewhat swiftly, “Bloody Axe Wound” sheds the skin of a slasher spoof to morph into a more intriguing inversion of a coming-of-age tale.
“Until Dawn” manifests a mishmash of hairless wendigos, spontaneous combustion, and a witch watching television, but it’s all cliched clutter.