CAMP COLD BROOK (2018)

Camp Cold Brook.jpg

Studio:      Shout Studios
Director:    Andy Palmer
Writer:      Alex Carl
Producer:  Warner Davis, Mark Alan
Stars:     Chad Michael Murray, Danielle Harris, Mikey Reid, Candice De Visser, Courtney Gains

Review Score:

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Summary:

Desperate to save his failing TV show, a paranormal investigator takes on a haunting case with shocking ties to his team.


Synopsis:     

Review:

Had it been produced at least ten years earlier, “Camp Cold Brook” probably would have been “found footage.” It still has the setup of a typical “haunted location investigation” that makes up 95% of films formatted in first-person though.

But prime time for reality-based frights has passed. Ghost hunter Jack Wilson learns this hard truth firsthand when a scotch-pouring network suit delivers the bad news that Jack’s show ‘Haunt Squad’ isn’t getting picked up for a fourth season. Viewers just aren’t tuning in for redundant supernatural shenanigans anymore, a bit of inadvertent meta-commentary that speaks to “Camp Cold Brook’s” similar problem of attracting interested eyes.

Jack bargains to go out with a big boo. He and his producing partner Angie, video technician Kevin, and new P.A. Emma, you know, the usual people in these positions, have an idea to explore a site no other crew has been to before: Camp Cold Brook.

What’s Camp Cold Brook’s backstory? Common urban legend rules apply. In 1990, an accused witch blamed an Oklahoman church congregation for her daughter’s tragic death. That witch took revenge by combining poison with occult magic to turn the church’s children into crazed killers. The kids later drowned in the camp’s lake, the witch set herself on fire, and concerned locals zippered their lips with warnings to never speak of the horrible mass murders again.

Putting a few Ben Franklins in his palm convinces the sheriff to look the other way this one time. Jack’s quartet then journeys to the remote forest campsite for a music-set montage of setting up cameras, cables, and other equipment. Now they’re ready to dig into predictable paranormal activity as their experience escalates from squinting at strange video flickers to flinching at stranger sights in the night.

I can’t even calculate the countless hours I’ve spent in cursed fictional places with various paranormal investigators during my time as a genre film critic. That’s why I applaud “Camp Cold Brook” for making another round of déjà vu more bearable by putting together a ghost hunting team that’s refreshingly pleasant to be around.

Ably aided by the acting of familiar faces Chad Michael Murray and Danielle Harris, Jack and his team aren’t showboating charlatans colored by obnoxious Hollywood phoniness. They’re genuine skeptics who don’t artificially “enhance” their show, which ironically explains why no one watches it. There isn’t enough material to elevate their personalities above perfunctory. But I appreciate that they’re personable people exhibiting caring camaraderie with one another.

“Camp Cold Brook” also avoids stuffing the team in quicksand of behind-the-scenes romantic relationship complications, professional animosity, etc. The group does start going for each other’s throats midway into the movie, although those confrontations are motivated by specific circumstances, not because anyone is an outright a-hole.

I’ll give “Camp Cold Brook” this much too: it looks like a basic made-for-cable movie, albeit one that’s competently produced. By-the-numbers though it may be in most regards, “Camp Cold Brook” comes neatly packaged with clean cinematography, crisp editing, and all other accoutrements of a project created by professionals committed to their crafts.

The “unfortunately” you probably sense coming has to do with an excessively slow setup and regular recycling of standard spooks that are too pedestrian to actually be spooky. “Camp Cold Brook” bloats itself with numerous scenes that amount to nothing more than creeping through cobwebs. Picturing what the script must have looked like, all I can see is page after page of declarative sentences describing dusty cabins accompanying instructive actions about looking distressed while waving flashlights around.

The way the plot curiously stretches out doesn’t make sense for the story either. Jack’s crew spends four days on what we’re told is a location scout. Each day progresses from morning to night in just a few movie minutes, making it confusingly unclear what four separate people are actually doing during their 96 hours at this camp. Questions like these could be easily erased with a simple script edit compressing the timeline to two days. It wouldn’t feel like the ghostly “gotchas!” are spaced so far apart either.

All things considered, we’re looking at a pretty plain paranormal thriller that’s unremarkably “okay.” Its forgettable familiarity means I wouldn’t recommend it. But I also wouldn’t shoo anyone away from the film if someone insists on checking it out. You’d just better be in the mood for a mediocre horror movie with low stakes and an even lower return on your time and money investment.

Review Score: 45