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“Child’s Play” pretends to be “about” the horrors of interconnected technology. Really, it’s just another routine killer doll movie.
“I’ll Take Your Dead” represents Archibald and Black Fawn’s current peak of what their formula for high quality, low-budget genre fare can achieve.
Pencils down everyone! “The Haunting of Sharon Tate” has aced the exam for who can create the most tasteless tie-in to one of pop culture’s most notorious murders.
Overeager swooners putting backs of hands to fainting foreheads while proclaiming “masterpiece” could stand to dial down the hyperventilating hyperbole.
“Leprechaun Returns” turns a blind eye to opportunities for irreverent inventiveness to deliver something that colors within expected lines for a standard Syfy B-movie.