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Inconsistencies are tied together by evilly eerie cinematography and well-designed sound using style to counteract coming up short on ambition.
“Get Out” is an impeccable balance of self-aware satire, subtext, and suspense, and the viewer is invited to fashion a personally tailored experience.
For everything a thumb or tomato can actually tell you, there may as well be a flipping coin icon instead of a number as its ‘Review Score’ rating.
While its soap opera satire might fizzle, the enchanting artistry behind Anna Biller’s Technicolor romance mixed in a pulp fiction mood sizzles.