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If “Zombieland” wasn’t a comedy, or “The Road” had slightly less somber drama, their similar setups would fall right in line with “Stake Land’s.”
Just to be different, I’ll summarize “Train to Busan” by saying it’s like “Under Siege 2: Dark Territory” meets “Left 4 Dead.”
“Ouija: Origin of Evil” ranks alongside “The Conjuring” as a memorably mesmerizing thriller with substance to match its style.
“Under the Shadow” is equally adept at moving a hand over the mouth in fright or guiding it to the chin for a stroke of contemplative reflection.