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The illustrations are so acutely dizzying that “Daniel Isn’t Real” becomes one of the most intriguing visualizations of dueling identities ever imagined.
The film refrains from hitting a high heat, bubbling on an acceptable simmer that can singe fingertips without peaking into a full fire.
“The Final Wish” becomes bothersome because genre vets are at the wheel, yet everyone drives under the speed limit on a well-traveled road.
“The Clovehitch Killer” creates an atypical serial killer thriller with intangibly haunting consequences for its characters and audience alike.
“Dead Ant” delivers a certain amount of fun, just not the whole kit ‘n kaboodle of craziness promised by its premise.