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“Spring” takes the relationship dissection drama of “500 Days of Summer” and changes the spike of heartbreaking humor to hit with body horror instead.
Like a 'hungry' on a human neck, “The Girl with All the Gifts” offers something meaty and meaningful that can be chewed on as entertainment or introspection.
“Split” is precisely the type of trip into tension once synonymous with Shyamalan's name, and a more consistently entertaining thriller too.
Blending these subgenres intriguingly transforms associated tropes into a thoughtfully-plotted thriller that gives “We Go On” a unique identity in horror.
“Don’t Hang Up” steps up to the plate in a plain pinstripe uniform, sizes up a straightforward swing, and then smashes a screaming shot of suspense right over the wall.