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With an improvisational attitude contributing to its nonsensical structure, “14 Cameras” tries squeezing blood from a setup that already turned to stone.
“Creepshow” is the closest any motion picture has ever come to accurately capturing a comic book in feature film form.
“Mara’s” mediocrity prevents it from being memorable, even among its equally unimpressive peers in the sleep paralysis subgenre.
With a marital strife melodrama sitting at its center, “The Domestics” has too tame of a tempo for the campy component of its setup to stay in step with the style.
Kept taut using a duo of dialed in performances and a nearly relentless rhythm, the movie satisfies with straight razor suspense.